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Research 
Elizabeth Kelly 

Caturastra: The hands which are in the Khaṭakāmukha Hasta are kept in level with the shoulders and the elbows face outwards and are at a distance of eight angulas from the chest.

Udvṛtta: The two hands which are in Haṁsapaksha Hasta are waved like palm-leaf fans in front of the chest.

Research 
Elizabeth Kelly 

Talamukha: The two hands which are in Haṁsapakṣa Hasta are raised and placed obliquely facing each other in front of the chest.

Viprakirṇa: The hands which are in the Haṁsapakṣa Hasta are placed facing out in front of the chest and point either upwards or downwards.

Arālakaṭakāmukha: One hand is held in front of the chest in the Khaṭakāmukha Hasta facing outwards. The other hand in the Arāla Hasta is held obliquely and is extended slightly facing outwards.

Āviddhavakatra: The elbows, the shoulders and the hands which are in the Arāla Hasta are moved pointing downwards.

Recita: The hands which are in the Haṁsapakṣa Hasta are extended away from the sides and quickly moved in a circular manner.

Ardharēcita: One hand in Recita Hasta and the other in Caturastra Hasta are moved in Khatakasya.

Uttanavañcita: The shoulders and elbows are bent and the hands which are in the Tripatāka Hasta are moved obliquely.

(there is no tripataka in this source)

Pallava: The hands which are in Padmakosa Hasta with the wrists loosely held are pointed upwards or downwards either at the sides or in front.

Nitamba: The hands which are in the Tripatāka Hasta move from the region of the shoulders to the hip where they are moved (recita).

(Tripataka is not in this source text)

Kēśabandha: The hands which are in the Tripatāka Hasta emerge from the region of the hair and are moved near the sides.

Latābhidha: The hands which are in the Tripataka Hasta are extended to the sides and are moved (recita) continuously.

Research 
Elizabeth Kelly 

Karihasta: One hand in Tripatāka Hasta is held at the ear. The other is raised, bent and moved (recita).

(no Tripataka in this text)

Research 
Elizabeth Kelly 

Pakṣavañcitaka: The hands which are in Tripatāka Hasta are placed on the upper part of the hips.

(no Tripataka in this text)

Research 
Elizabeth Kelly 

Pakṣapradyōtaka: The hands which are in the Tripatāka Hasta are turned up and placed on the waist.

(no Tripataka in this text)

Danḍapakṣa: The hands which are in Haṁsapakṣa Hasta are extended obliquely and moved round (yivartita).

Research 
Elizabeth Kelly 

Garuḍapakṣa: The hands which are in Tripataka Hasta facing downwards are extended obliquely and the elbows are slightly bent.

Urdhvamaṇḍalina: The hands which are in the Arāla Hasta are moved round (in Vyavrtta and Parivartita) over the head.

Pārśvamaṇḍalina: The hands which are in the Arāla Hasta are moved round (in Vyavrtta and Parivartita) at the sides. (yes, it's the same as Urdhvamaṇḍalina?)

Uraḥpārśvārdhamaṇḍali: One hand in the Alapadma Hasta and the other in the Arāla Hasta are moved near the chest and the sides.

Muṣṭisvastika: The hands which are in the Khatakamukha Hasta at the chest are bent at the wrists and then moved round.

Nalinīpadmakośa: The hands which are in the Padmakosa Hasta are shaken and moved round from the knees to the head.

Ulbaṇa: The hands which are in Alapadma Hasta are stretched upwards and moved round.

Vakṣōmaṇḍalina: One hand is moved in Udvestita and the other in Apavestita in front of the chest.

Sūcyāsya: The hands which are in the Catura Hasta are extended obliquely with the elbows being slightly bent.