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Nṛtyavinōda of Mānasôllāsa: Asaṃyuta Hasta (Single Hand Gestures)

1126 CE - 1234 CE - by Someśvara III

Asaṃyuta Hasta - Single Hand Gestures

Nṛtyavinōda of Mānasôllāsa - Language: Sanskrit

This a great text for everything. It's written in the Western Chalukyan dynasty which is in modern day Karnataka and Andhra Pradesh. This a truly broad and yet detailed text covering a number of elements of life at this time. One volume of this set of tomes is the Nṛtyavinōda. It returns to the same type of format of the Natya Sastra in that lists sets of movements of each part of the body with descriptions of how to execute them and what they mean.

Descriptions and Meanings

Patāka
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1158-11161

Patāka: The thumb is bent to touch the root of the forefinger and the rest of the fingers are extended and kept close together.


4:1158-11161

This Hasta when done with the fingers together is used to depict cutting, pride, patting the arm, happiness and cutting a creeper. Patāka Hasta with the fingers separated is used to depict moving the hands through the hair, pushing, falling of flames and giving blessings. While depicting lightening and forbidding the fingers are moved and point upwards. While depicting rain and showering of flowers, the Hasta faces downwards,

Ardhaçandra
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1169-1171

Ardhacandra: The thumb of the Ahiphana Hasta is stretched out.


4:1169-1171

When facing downwards this Hasta is used to depict sweeping, mixing and clasping the waist. When facing upwards it is used to depict surprise and the moon, ...

Arāla
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1176-1178

Arāla: The forefinger of the Padmakōṡa Hasta is extended.


4:1176-1178

This Hasta is used to depict the act of blessing, describing, holding an umbrella or a goad and looking with astonishment,

Ṡukatunḍa
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1178-1180

Ṡukatunḍa: The ring finger of the Arāla Hasta is bent.


4:1178-1180

This Hasta is used while saying 'no, casting dice or shells, expressing contempt and rebuking,

Mushṭi
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1199-1202

Muṣṭi: The fingers touch the palm and the thumb is placed on them; alternately, the thumb is placed over which the fingers are closed.


4:1199-1202

This Hasta is used to depict running, beating and holding a sword or a bow. The second type is used to depict milking, wrestling and beating the sides,

Ṡikhara
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1202-11204202

Ṡikhara: The thumb of the Muṣṭi Hasta is raised straight up.


4:1202-11204202

This Hasta is used to depict ringing of bells, pressing or rubbing the body, throwing a spike or a javelin, holding a rope or reins,

Kapittha
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1204-1206

Kapittha: The forefinger of the Ṡkhara Hasta is bent and pressed by the thumb. It also projects outside a little.


4:1204-1206

This Hasta is used to depict affirmation, releasing s disc (wheel) and discharging weapons after meditating (by placing on the forehead).

Kaṭakāmukha
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1206-1208

Khaṭakāmukha: The ring finger and the little finger of the Kapittha Hasta are raised and bent.


4:1206-1208

This Hasta is used to depict holding an umbrella, a fly whisk, weapons or mirror and grasping the hair and the noose,

Sūçī (Sūçīmukha)
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1208-1211

Sūcimukha The forefinger of the Musti Hasta is extended. This Hasta is of three types: bent (vakra), shaking (kampra) and stretched (prasarita).


4:1208-1211

To depict using weapons and forbidding Vakra Sūcimukha is used. To depict directing and threatening Prasarita Sucimukha is used. To depict earring, turning of a wheel, good words and swinging Kampra Sucimukha is used.

Padmakōṡa
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1174-1176

Padmakōṡa: All fingers including the thumb are bent and are kept separate. The Hasta can be done facing upwards or downwards.


4:1174-1176

This Hasta is used to depict taking the Kapittha or Bilva fruit, showing the hand to children and a downcast face

Sarpaṡīrsha (Ahiphaṇa)
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1166-1168

Ahiphaṇa: The palm of the Patāka Hasta is hollowed.


4:1166-1168

This Hasta is used to depict pouring, drinking or offering of holy water. When facing downwards it is used to depict waving movement, dwarfs and the like. It is held facing upwards to depict blessing, appeasing and the movements of snakes,

Mṛgašīrsha
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1172-1174

Mṛgaṡirshā: The little finger and the thumb of the Sarpasīrṣa Hasta are extended.


4:1172-1174

When facing downwards this Hasta is used to depict wiping off sweat, beckoning and shading the eyes from the sun, When facing upwards it is used to depict colouring the face and throwing the dice,

Kāngula (Lāngūla)
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1180-1182

Kāṅgūla The thumb, forefinger and middle finger are separated and kept in a triangular position. The ring finger is bent and the little finger is kept straight.


4:1180-1182

This Hasta is used to depict different types of fruits, small quantities and caressing the chin of children,

Alapadma (Sõlapadma)
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1182-1184

Alapadma The fingers move sideways, are separated from each other and bent towards the centre of the palm.


4:1182-1184

This Hasta is used to depict praising oneself, forbidding, enquiring 'who are you?' and emptiness,

Çatura
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1164-1165

Catura: The thumb of the Hamsapaksa Hasta is bent to touch the base of the middle finger.


4:1164-1165

This Hasta is used to depict chanting prayers, a small quantity, doubt and Vedic discourse,

Bhramara
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1190-1192

Bhramara: The ring finger and the little finger of the Mukula Hasta are extended and the forefinger is raised and curved.


4:1190-1192

This Hasta is used to depict holding flowers with long stalks, earrings, palm leaves and removing thorns.

Haṁsásya
The Nṛtyavinōda of Mānasôllāsa, A Study

4:1188-1190

Haṁsamukha The little finger of the Mukula Hasta is raised upwards and the ring finger is bent.


4:1188-1190

This Hasta when moved slightly is used to depict smoothness, smallness and softness. To depict the act of smelling flowers the Hasta is kept steady,

Haṁsapaksha
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1162-1163

Haṁsapaksha: The little finger of the Patāka Hasta is raised.


4:1162-1163

This Hasta is used to depict applying colour to the face, tying up the hair and accepting.

Saṁdaṁṡa
The Nṛtyavinōda of Mānasôllāsa, A Study

4:1192-1196

Sandaṁṡa The forefinger and the thumb of the Arala Hasta meet at the tip and the palm is slightly hollowed. The Hasta is done in three different ways: towards the front (Agraja), towards the face (Mukhaja) and towards the side (Parsvaja).


4:1192-1196

This Hasta when done facing the front (Agra; a Sandaṁṡa Hasta) is used to depict removing thorns, plucking small flowers and rebuking rudely.

This Hasta when done facing the side (Parsvaja Sandaṁṡa Hasta) is used to depict rubbing the sacred thread, powdering things like camphor and taking betel leaf.

This Hasta when done towards the face (Mukhaja Sandaṁṡa Hasta) is used to depict painting, drawing the eyebrows, stringing beads and decorating the eyelashes.

Mukula
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1186-1188

Mukula: All the finger tips including that of the thumb touch each other to form a plantain flower.


4:1186-1188

This Hasta when held obliquely and facing upwards is used to depict counting of gold coins. It is held facing downwards to depict prayer and making offerings to the Gods,

Tāmraçūḍa
The Nṛtyavinōda of Mānasôllāsa, A Study
4:1197-1199

Tāmraçūḍa: The forefinger of the Mukula Hasta is raised up and bent. The little finger and the ring finger touch the palm.


4:1197-1199

This Hasta is used to depict inspiring confidence in children, hurrying up, snapping fingers, in war, yawning and kings.

Ūrṇanābha
The Nṛtyavinōda of Mānasôllāsa, A Study

4:1184-1186

Urṇanābha: The fingers of the Padmakōṡa Hasta including the thumb are bent.


4:1184-1186

This Hasta is used to depict taking objects like gold, a lion, tiger and scratching the head,

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