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Visnudharmottarapurana: Saṃyuta Hasta (Double Hand Gestures)

400 CE - 500 CE - by None

Saṃyuta Hasta - Double Hand Gestures

Visnudharmottarapurana - Language: Sanskrit

This is an encyclopedic work that covers a vast amount. It includes information on a variety of topics including Vaishnaiva rituals. With 3 different Khandas, the most interesting for our purpose is volume 3 - the section includes a variety of arts - music, dance, painting, sculpture and architecture.

Descriptions and Meanings

Añjali
Visnudharmottarapurana
26:54

When two Patāka hands are folded together, the combination of the hand is called Anjalī.


26:54

It should be done at the time of bowing before deities, spiritual masters and paternal ancestors.

Kapota
Visnudharmottarapurana

26:55

When the sides of two hands touch each other, the hand pose becomes Kapotaka.


26:55

It should be done to denote cold, danger and to show modesty.

Karkaṭa
Visnudharmottarapurana
26:56

When fingers of one hand pass between the fingers of the other, the pose of the hands should be known as Karkaṭa.


26:56

It should be done while yawning.

Svastika
Visnudharmottarapurana
26:57

When two Arāla hands are stretched, palms upwards and lying on bent sides and placed on the wrists in the Vardhamana way, the pose of combined hands is called Svastika.


26:58

O King! This acting should be done to denote everything that is widely spread, seasons, sky, cloud, sea and the earth.

Ḍola
Visnudharmottarapurana
26:62

When the two Patāka hands are hanging down-wards it becomes Dola.


26:63

It should be done to show meditation, giving charity and to show eatables.

Puṣpapuṭa
Visnudharmottarapurana
26:63

When the fingers of the Sarpa or Ahiśira hand are closed together and the other hand is joined to its sides it is called Puṣpapuṭa.


26:64-65

Oh King!  Al the former things should be acted by this combination of hands

Utsanga
Visnudharmottarapurana
26:60

When two Arāla hands are stretched, palm upwards in reverse position and in the Vardhamana way; the combination of hands should be known as Utsanga.


26:60

It indicates the touch of somebody else.

Kaṭakavardhana
Visnudharmottarapurana
26:59

When one Khaṭaka (half-closed) hand is placed upon another, the combination of hands is Khaṭakavardhamanaka.


26:59

It should be done for love-making and bowing.

Avahittha
Visnudharmottarapurana

26:67

When two Śuka-tunda hands are placed on the chest and are bent in the forepart and slowly bent downwards, the pose is called Avahittha.


26:68

It should be to show weakness, high breathing and showing limbs.

Gajadanta
Visnudharmottarapurana
26:66

When the elbows and shoulders in the Sarpa-Sira hands are bent towards each other, the combination is called Gaja-danta.


26:66

It is posed to show carrying the mountain.

Garuḍapakṣa
Visnudharmottarapurana

26:85

When the two palms of the hands are downwards and slightly bent, they should be known as Garuḍa-Pakṣaka.

Niṣedha
Visnudharmottarapurana
26:61

When the Mukula hand covers the Kapittha hand, the combination should be known as Niṣadha.


26:62

It should be made in shortening, throwing and compressing.

Makara
Visnudharmottarapurana

26:64-65

When two Patāka hands are placed one over the other (on the head) and facing downwards, the combination is Makara Hand.


26:64-65

It shows the actions of lion, tiger, deer, etc.

Vardhamāna
Visnudharmottarapurana
26:68

When two Haṁsapaksha hands are in the opposite directions, the combination is Vardhamana.


26:69

The acting should be done to show lattice (Jala) windows, etc.

Related Combinations