Keśabandha
Nṛttahastas - Dance hands (single and combined)
Descriptions and Meanings
9:189
Two hands are moved out from the Keśabandha (hair knot) and held on the sides are termed Keśabandha.
Not included elsewhere
9:185
Keśabandha—the two hands moved out from the hair-knot (keśabandha) and held on the sides.
Not included elsewhere
26:81
The hands raised from the sides and acting on the shoulders are called Keśabandha. The acaryas have approved them.
Not included elsewhere
No verse annotation
Keśa-bandha (tying the hair): Pataka hands binding the hair. Patron deity Durga.
No verse annotation:
gem-pillar, binding the hair, cheek etc.
8:537
when two Pataka hastas are held as if binding the hair, it becomes Keśabandha hasta. Its patron deity is Durga.
8:537:
it denotes diamond studded pillar, binding the hair, cheek etc.
8:559-560
When two Pataka hastas are moved from the hips up to the hair, then it is Kēśabandha hasta.
8:559-560:
This hasta is used to denote - two tall trees, excess, Meru mountain, plenty and saying 'stand up'.
4:1253-1254
Kēśabandha: The hands which are in the Tripatāka Hasta emerge from the region of the hair and are moved near the sides.
Not included elsewhere
7:89
Kesabandha According to Digambara the great, the kesabandhahasta is formed by moving the hands from the hair (head) to both sides.
Not included elsewhere
2:255
Keśabandha hastas begin at the height of half the face, move out from over the shoulder and go down to the original position.
Not included elsewhere
:867
If the two Tripatakas are taken out from the lock of hair to a distance and then brought back to the hair, it is called Kesabandha hasta
7:117
In keśabandha (these) move from the region of the hair along the sides (to the region of the hips).
3:497
When the hands in tripatāka or in patāka being raised from the sides to the head move out of the region of the hair repeatedly to reach the hips, it is called kesabandha.