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Udvṛtta

Nṛttahastas - Dance hands (single and combined)

Descriptions and Meanings

200 BCE - 200 CE
The Natya Sastra (NS) - Board of Scholars
No associated images
Description:
9:179

(b) Two Hamsapaksa hands are waved like Tiilavrnta (palm leaf fan). This should be known as Udvṛtta or Tālavṛntaka.

No associated meanings
Based upon:

Haṁsapaksha - 9:105

Not included elsewhere
200 BCE - 200 CE
The Natyasastra, Volume I (NS) - Dr. Manomohan Ghosh
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Description:
9:175

Udvṛtta—the two Haṃsapakṣa hands waved like a palm-leaf (fan). Its alternative name is the Tālavṛnta (palm-leaf).

No associated meanings
Based upon:

Haṁsapaksha - 9:105

Not included elsewhere
400 CE - 500 CE
Visnudharmottarapurana (VDP) - Dr. Priyabala Shah
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Description:
26:72

The two Haṁsapaksa hands, turned like a palm-leaf fan, should be known as Udvṛtta or Tālavṛntaka.

No associated meanings
Based upon:

Haṁsapaksha - 26:47

Not included elsewhere
1100 CE - 1200 CE
The Mirror of Gesture (AD) - Ananda Coomaraswamy
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Description:
No verse annotation

Udvṛtta (asunder): one Hamsa-paksa hand held face down-wards and one face upwards. Patron deity Vasistha.

Meaning:
No verse annotation:

modesty, simile, torment, thorns etc., difference, consideration.


1100 CE - 1200 CE
Abhinaya Darpanam of Nandikeswara (AD) - P.S.R. Apparao
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Description:
8:528-529

When one Hamsapaksha hasta is held face downwards and the other face upwards, simultaneously, it is Udwṛtta hasta.

Meaning:
8:528-529:

This hasta is used to denote the following : modesty, simile, torment, thorns etc., sorrow, fear, consideration.


Based upon:

Haṁsapaksha - 7:409-410

Haṁsapaksha - 7:411-413

Not included elsewhere
1126 CE - 1234 CE
The Nṛtyavinōda of Mānasôllāsa, A Study (NVoM) - Hema Govindarajan
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Description:
4:1239-1240

Udvṛtta: The two hands which are in Haṁsapaksha Hasta are waved like palm-leaf fans in front of the chest.

No associated meanings
Based upon:

Haṁsapaksha - 4:1162-1163

Not included elsewhere
1138 CE - 1400 CE
Śri Pārśvadeva's Saṅgítasamayasāra (SS) - Dr. M. Vijayalakshmi
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Description:
7:84

Udvrtta: When both the hands face each other forming the hansa paksha hasta, it is udvrtta.

No associated meanings
Based upon:

Haṁsapaksha - 7:43

Not included elsewhere
1200 CE - 1300 CE
Jāyasenāpativiracita Nṛttaratnāvalī, Volume I (NrtN) - Pappu Venugopala Rao and Yashoda Thakore
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Description:
2:239

One executes the vyāvartana while the other parivartana, simultaneously. This is done as the hands move upwards and these hands are udvṛtta hastas.

No associated meanings
1350 CE - 1550 CE
Śrihastamuktāvali (HM) - Maheswar Neog
No associated images
Description:
:872

If the two Hamsapaksas are placed in front of the heart, as if preparing to play on two talas (cymbals), it is Udvrtta hasta.

No associated meanings
Based upon:

Haṁsapaksha - :52

Not included elsewhere
1500 CE - 1600 CE
Nartananirnaya of Sri Pandrika Vitthala Vol. 3 (NN) - R. Sathyanarayana
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Description:
7:112

If two haṁsapakṣas, facing away from each other are held at the chest in front it is udvṛtta.

No associated meanings
Based upon:

Haṁsapaksha - 7:84

Mentioned by:
Talamukha
1600 CE - 1650 CE
Saṅgītanārāyaṇa (SN) - Mandakranta Bose
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Description:
3:478-479

When haṁsapaksha hands are moved in the same way with one hand turned up and lowered and the other turned downwards off the chest, it is known as udvrtta. Some call it talavrnta

Meaning:
3:478-479:

it is used to indicate a palm-leaf fan.


Based upon:

Haṁsapaksha - 3:408-409

Mentioned by:
Talamukha
No associated images
Description:
3:478-479

Others say that when two haṁsapaksha hands facing forward are moved inwards and outwards it is udvṛtta

Meaning:
3:478-479:

it is used to indicate victory.


Based upon:

Haṁsapaksha - 3:408-409

Not included elsewhere

Related Combinations