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Vardhamāna

Saṃyuta Hasta - Double Hand Gestures

Descriptions and Meanings

200 BCE - 200 CE
The Natya Sastra (NS) - Board of Scholars
No associated images
Description:
9:152

This is the combination of the Mukula hand and Kapittha in close clasp,

Meaning:
9:153:

If one hand is pressed with the other this hand indicates grasping, receiving, preserving, convention, truthfulness and compression.


Based upon:

Kapittha - 9:58

Mukula - 9:116

Not included elsewhere
Description:
9:154

The combination of two Hamsapaksa hands turned down is also known as Vardhamāna.

Meaning:
9:154:

It is utilized in represent-ing the opening of objects like latticed windows.


Based upon:

Haṁsapaksha - 9:105

Not included elsewhere
200 BCE - 200 CE
The Natyasastra, Volume I (NS) - Dr. Manomohan Ghosh
Description:
9:131

Two Haṃsapakṣa hands turned down will be the known as the Vardhamāna

Meaning:
9:131:

It is to be used to represent the opening of objects like latticed windows.


Based upon:

Haṁsapaksha - 9:105

Mentioned by:
Svastika
400 CE - 500 CE
Visnudharmottarapurana (VDP) - Dr. Priyabala Shah
Description:
26:68

When two Haṁsapaksha hands are in the opposite directions, the combination is Vardhamana.

Meaning:
26:69:

The acting should be done to show lattice (Jala) windows, etc.


Based upon:

Haṁsapaksha - 26:47

Not included elsewhere
1100 CE - 1200 CE
The Mirror of Gesture (AD) - Ananda Coomaraswamy
Description:
No verse annotation

Vardhamāna (increase): Hamsa-paksa hands palms down, turned together face upwards. Patron deity Vasuki.

Meaning:
No verse annotation:

Narasimha, his glory, tearing the raksasa’s chest.


1100 CE - 1200 CE
Abhinaya Darpanam of Nandikeswara (AD) - P.S.R. Apparao
Description:
8:526-527

When two Hamsapaksha hastas are held, palms down and then turned together, face upwards, then it becomes Vardhamāna hasta. Its presiding deity is Vasuki.

Meaning:
8:526-527:

This hasta is used to denote Nrsimha, His glory / radiance, tearing apart the demon's (Hiranyakasipu's) chest.


Based upon:

Haṁsapaksha - 7:409-410

Haṁsapaksha - 7:411-413

Not included elsewhere
No associated images
Description:
8:584-585

When two Sikhara hastas are held pointing upwards, then it is Vardhamāna hasta.

Meaning:
8:584-585:

This hasta denotes saying - always, it is given, what-what? and once upon a time.


Based upon:

Ṡikhara - 7:295-297

Ṡikhara - 7:298-305

Not included elsewhere
1126 CE - 1234 CE
The Nṛtyavinōda of Mānasôllāsa, A Study (NVoM) - Hema Govindarajan
Description:
4:1236-1237

Vardhamāna: The hands which are in the Mrgasirsa Hasta are crossed.

Meaning:
4:1236-1237:

This Hasta is used to depict opening doors, windows and the like,


Based upon:

Mṛgašīrsha - 4:1172-1174

Not included elsewhere
1138 CE - 1400 CE
Śri Pārśvadeva's Saṅgítasamayasāra (SS) - Dr. M. Vijayalakshmi
No associated images
Description:
7:69

Vardvmāna: With the kapittha hands if the mukula hasta is tried to form, it is vardhamāna

Meaning:
7:69:

It shows collection, brevity and satya vākyam (veracity).


Based upon:

Kapittha - 7:60

Not included elsewhere
1200 CE - 1300 CE
Jāyasenāpativiracita Nṛttaratnāvalī, Volume I (NrtN) - Pappu Venugopala Rao and Yashoda Thakore
Description:
2:190

When the haṁsapaksha hastas are turned away from each other, it is the vardhamāna hasta. .

Meaning:
2:190:

If separated from a crossed position it can depict doors and opening windows.


2:191:

When moved apart from proximity, it shows tearing the enemy’s chest, etc. other scholars opine that this hasta is to be held with sarpasirsa.


Based upon:

Haṁsapaksha - 2:154

Not included elsewhere
1350 CE - 1550 CE
Śrihastamuktāvali (HM) - Maheswar Neog
Description:
:67

If two Mrgasirsa hastas are put together at the front, it is called Vardhamana hasta by Subharikara.

Meaning:
:757:

A netted window, etc., a town, a city (with large buildings), finding out lice, etc., rending of the heart of an enemy


:758:

tearing off of clothes, a door, taking up, union, contraction, regulation, truth, washing of clothes—the hasta Vardhamana is indicated in these.


Based upon:

Mṛgašīrsha - :51

Not included elsewhere
No associated images
Description:
:759

Vardhamana, with its tip pointing up,

Meaning:
:759:

is applied to mean a netted window. It represents a town. It stands for a city.


No dependencies
Not included elsewhere
No associated images
Description:
:760

If Vardhamana moves from the front to the back,

Meaning:
:760:

it means trying to find out lice, etc. ||


No dependencies
Not included elsewhere
No associated images
Description:
:761

If the two hands of Vardhamana are moved from the front to the two sides,

Meaning:
:761:

it denotes the tearing off of clothes. It indicates a door.


No dependencies
Not included elsewhere
No associated images
Description:
:761

If Vardhamana is taken round and put in the lap,

Meaning:
:761:

it means taking up.


No dependencies
Not included elsewhere
No associated images
Description:
:761

If the two hands of Vardhamana are firmly brought together,

Meaning:
:761:

it means union.


No dependencies
Not included elsewhere
No associated images
Description:
:762

If Vardhamana is held facing up at the front,

Meaning:
:762:

it means contraction.


No dependencies
Not included elsewhere
No associated images
Description:
:762

Vardhamana, lying across at the front,

Meaning:
:762:

means regulation.


No dependencies
Not included elsewhere
No associated images
Description:
:762

Vardhamana, hanging at the front,

Meaning:
:762:

denotes truth.


No dependencies
Not included elsewhere
No associated images
Description:
:762

If Vardhamana is brought down from on high,

Meaning:
:762:

it indicates the washing of clothes.


No dependencies
Not included elsewhere
1500 CE - 1600 CE
Nartananirnaya of Sri Pandrika Vitthala Vol. 3 (NN) - R. Sathyanarayana
Description:
7:109

If two haṁsapakṣa-hastas, facing away from each other, are [crossed] like a svastika, it is vardhamāna.

No associated meanings
No dependencies
Not included elsewhere
1600 CE - 1650 CE
Saṅgītanārāyaṇa (SN) - Mandakranta Bose
Description:
3:459-460

When two haṁsapakṣa hands are crossed in svastika turned in opposite directions, it is known as vardhamāna. This can be done in three ways, either with mrgasirsa or [with] sarpasirsa [but moved in] the same way.

Meaning:
3:459-460:

It is used in opening a door or a window. When [these] haṁsapakṣa hands are separated from svastika, they indicate beating the chest. Others say that it is the second kind of nisadha.



Related Combinations