This is the combination of the Mukula hand and Kapittha in close clasp,
If one hand is pressed with the other this hand indicates grasping, receiving, preserving, convention, truthfulness and compression.
The combination of two Hamsapaksa hands turned down is also known as Vardhamāna.
It is utilized in represent-ing the opening of objects like latticed windows.
Two Haṃsapakṣa hands turned down will be the known as the Vardhamāna
It is to be used to represent the opening of objects like latticed windows.
When two Haṁsapaksha hands are in the opposite directions, the combination is Vardhamana.
The acting should be done to show lattice (Jala) windows, etc.
Vardhamāna (increase): Hamsa-paksa hands palms down, turned together face upwards. Patron deity Vasuki.
Narasimha, his glory, tearing the raksasa’s chest.
When two Hamsapaksha hastas are held, palms down and then turned together, face upwards, then it becomes Vardhamāna hasta. Its presiding deity is Vasuki.
This hasta is used to denote Nrsimha, His glory / radiance, tearing apart the demon's (Hiranyakasipu's) chest.
When two Sikhara hastas are held pointing upwards, then it is Vardhamāna hasta.
This hasta denotes saying - always, it is given, what-what? and once upon a time.
Vardhamāna: The hands which are in the Mrgasirsa Hasta are crossed.
This Hasta is used to depict opening doors, windows and the like,
Vardvmāna: With the kapittha hands if the mukula hasta is tried to form, it is vardhamāna
It shows collection, brevity and satya vākyam (veracity).
When the haṁsapaksha hastas are turned away from each other, it is the vardhamāna hasta. .
If separated from a crossed position it can depict doors and opening windows.
When moved apart from proximity, it shows tearing the enemy’s chest, etc. other scholars opine that this hasta is to be held with sarpasirsa.
If two Mrgasirsa hastas are put together at the front, it is called Vardhamana hasta by Subharikara.
A netted window, etc., a town, a city (with large buildings), finding out lice, etc., rending of the heart of an enemy
tearing off of clothes, a door, taking up, union, contraction, regulation, truth, washing of clothes—the hasta Vardhamana is indicated in these.
Vardhamana, with its tip pointing up,
is applied to mean a netted window. It represents a town. It stands for a city.
If Vardhamana moves from the front to the back,
it means trying to find out lice, etc. ||
If the two hands of Vardhamana are moved from the front to the two sides,
it denotes the tearing off of clothes. It indicates a door.
If Vardhamana is taken round and put in the lap,
it means taking up.
If the two hands of Vardhamana are firmly brought together,
it means union.
If Vardhamana is held facing up at the front,
it means contraction.
Vardhamana, lying across at the front,
means regulation.
Vardhamana, hanging at the front,
denotes truth.
If Vardhamana is brought down from on high,
it indicates the washing of clothes.
If two haṁsapakṣa-hastas, facing away from each other, are [crossed] like a svastika, it is vardhamāna.
When two haṁsapakṣa hands are crossed in svastika turned in opposite directions, it is known as vardhamāna. This can be done in three ways, either with mrgasirsa or [with] sarpasirsa [but moved in] the same way.
It is used in opening a door or a window. When [these] haṁsapakṣa hands are separated from svastika, they indicate beating the chest. Others say that it is the second kind of nisadha.