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This mudra is used for blessing in the case of males, and for collecting the hair in the case of women; courage, dignity of men and self-admiration by women are also suggested. By forming Swastika with the fingers (of both hands), marriage and other auspicious occasions are suggested.

With this gesture inherent strength, pride, exploit, beauty, surage, divine objects, majesty, blessings and similar pleasing Bhavas are to be represented.

Collecting together or scattering and separating the hairs and glancing all over the body as is done by women are also represented through this.

Beckoning to others, preventing someone from coming in, creating something, uttering too many words, wiping off perspiration, smelling sweet scents etc. and all auspicious matter (too are to be represented like this),

The activities mentioned before as ones to be presented by means of Arāla hands by women equally well Sukatunda. (beak of a parrot).

The initial rites connected with marriage ceremony, the circumambulation of the fire by the couple, etc. People moving round and round, the general assemblage of people in a circle, the object buried under the ground-all these should be represented by the similar hands.

With this should be represented courage, pride, prowess, beauty, contentment, heavenly [objects], poise, act of blessing and other favourable states. And this, again, will represent woman’s gathering of hairs or scattering them and looking carefully over their entire body. The preliminaries to the marriage by bride’s going round the bridegroom and [marital] union are to be represented by two Arāla hands moving around each other and their fingers meeting in the form of a Svastika. And with similar hands should be represented circumambulation, round objects, great crowd of men, objects arranged on the ground. In calling any one, in making offering to the manes, saying too many things, in censure and rebuke etc., wiping off sweat and enjoying sweet smell, the Tripatāka hands have been prescribed before by me, but women are to use the Arāla hand to represent these.

It is used to express profundity, spiritedness, heroism and gathering the hair and wiping the sweat etc.

There are only five meanings, which are sumyutahastas. They are ignorant, tree, cut ends of plant parts, and bud (the fifth one is not clear).

drinking poison, nectar, etc., or sharp acid.

the sipping of water (aposana) by Brahmanas, benediction, the aversion of a parasite (vita) for his friend, dressing the hair, saying “Come soon!”, circumambulation at morning and evening prayer, wiping sweat from the brow, putting collyrium on the eyes, etc.

It is used to denote drinking poison, nectar etc., and violent wind.

Arāla hasta is useful in denoting the following: drinking poison or nectar etc., violent wind.

Arāla hasta is used to denote the following: ritual sipping of water by the brahmins, benediction, aversion of a parasite for the courtesan, dressing the hair, saying 'come soon', circumambulation (clock-wise turn) at morning and evening prayers, wiping out sweat from the forehead, and putting collyrium on the eyes.

This Hasta is used to depict the act of blessing, describing, holding an umbrella or a goad and looking with astonishment,

To indicate the blessing, preaching and praising the act of bravery and valor of someone, this sign is used.

This is used to depict gumption, pride, courage, majesty, light...

...removing, fragrance, smelling, wiping sweat, etc. This is apt for touching and raising women’s hair as a sport.

A marriage, sport, Laksmi, a writing, a painting, the description of the whole body, a saying, divine beauty, a creeper house,

the dressing up of hair, costume, etc., the writing of a letter, the eating of leaves, a scent, vital air, the sponging of sweat,

the acceptance of the hand of a woman, boasting, circumambulation, a great person, a big boat, an air-ship, a royal litter, a moving house,

a swing, a bed, a bedstead, invocation, ascertainment, trembling, benediction,

patience, creation, adroitness, graveness of character, beauty, effulgence, strength, the month of Pausa,

going away, returning, a book, the quiet, outside, a mass of work, a sarika bird, a parrot, a tittibha bird, a khanjana bird,

a cakora bird, a cataka bird, a kite, a bharadvaja bird, a vartika bird (a variety of sparrow), a barlta dove, a cuckoo, any other small bird,

any other bigger bird, a horse, a cow, a donkey, a camel, any other animal, a mountain, a tree,

the eight Nagas, a raksasa ogre, a bhuta devil, the spirit of a dead person, an Asura demon, the dreadful, apisaca spirit, ayaksa,

the red, the yellow, the white, the black, other colours, a door—in all these Arala hasta is to be applied.

Whatever subjects have already been described as being indicated by Tripataka hasta can be indicated by Arala—that is the opinion of all persons.

Arala has to indicate the various symbols, costumes, forms and activities (of the different deities).

Arala has to indicate the various symbols, costumes, forms and activities (of the different deities).

it indicates a marriage.

it means sport.

it is Laksmi.

it means a sheet of writing. It stands for a painting.

it means god-like beauty.

it indicates those limbs.

it means a statement.

it stands for a creeper house.

all the subjects from ‘the dressing up of hair, costume, etc.’ to ‘the sponging of sweat’ are indicated.

it means the acceptance of the hand of a woman.

indicates boasting.

it means circumambulation; it means a great person.

are to be indicated the subjects from 'a big boat’ to ‘a bedstead’.

all the subjects from ‘invocation’ to ‘a small bird’ are to be exhibited.

a big bird is to be shown, the wise should enact a horse, a cow, a donkey, a camel and other animals by the application of the appropriate angaharas and shapes.

it means a mountain or a tall tree.

the subjects from ‘the eight Nagas’ to ‘a Yaksa’ are to be shown by the assumption of proper forms.

the red colour is signified.

it means the yellow pigment.

it is the white colour.

it is the black colour.

other colours are indicated.

it is a door.

All the subjects like ‘the gods’ are to be indicated by salutations and

It is used to indicate strength, energy, patience, tenacity, pride, dignity by bringing it up to the head from the navel.

for benediction and placed outward for ancestral rituals.

To indicate tying or letting down the hair of a woman,

to indicate a crowd

to indicate calling.

To circumambulate deities,

To indicate questions like "Who are you?", "Who am I?" or "What is [our] connec-tion?" suggesting an absence of connection,

It is [also used] in wiping off the perspiration from the forehead

This should be used to indicate prowess, salutation and invisibility. It should [also] be noted that it can used in the situations mentioned in the use of tripatāka . For men whatever can be indicated by arala is applied to tripatāka. Simhana views that [gestures] meant for arala apply to women.