The hands in the Pakṣavancitaka change places (waist and head). Then they are remembered as Pakṣapradyotaka.
Pakṣapradyotaka—the Pakṣavañcitaka hands changing places (i.e. the hands placed on the waist to be put on the head and vice versa).
When two of the same are in the reverse order, the pose is called Pakṣodyota.
Pakṣa-pradyota (shining wing): Pakṣa-vancita hands face upwards. Patron deity Siddha.
despondence, loss of wits, strangeness, magic boar, pot gesture (kumbhabhinaya).
If the Pakṣavañcita hastas face upwards, it becomes Pakṣapradyota (=shining wings) hasta , its patron deity is Siddha.
This hasta is used to denote the following: despondency, loss of wits, unexpected happening, Varaha avatara, kunda-abhinayam etc.
Pakṣapradyōtaka: The hands which are in the Tripatāka Hasta are turned up and placed on the waist.
(no Tripataka in this text)
Pakshapradyotaka : To turn those hands again is pakshapradyotaka.
If the tips of the fingers of the above hasta are turned away from the waist, pakṣapradyota hastas are formed. It is always more impressive when pakṣavahcita hastas are executed first and then pakṣapradyotaka hastas.
If one Tripataka is placed over the buttocks and the other Tripataka is put on the head, and the places are exchanged swiftly, it stands for Paksapradyotaka hasta.
If the selfsame are exchanged, it is declared to be pakṣapradyota.
When the pakṣavañcita hands face the sides with their fingertips or they are raised, it is known as pakṣapradyotaka. Some say that the fingers of these hands are raised.