A Tripataka hand is placed on the waist and the other on the head. The sponsors of dance programmes know this as Pakṣavañcitaka.
Pakṣavañcitaka—one Tripatāka hand placed on the waist and another on the head.
When the fore-parts of the Tripatāka hands are placed on the top of the waist, the performer should know them as Pakṣavancita.
Pakṣa-vañcita (bent wing): Tripataka hands are placed upon the hips. Patron deity Arjuna.
movement of the thighs, difference.
If two Tripataka hastas are placed - one on the waist and the other on the head - it becomes Pakṣavañcita (bent wing) hasta ; its patron deity is Arjuna.
This hasta is used to denote the movement of thighs and in showing difference.
If two Ardhacandra hastas are placed on the waist, it is Pakṣavaṁcita hasta.
This hasta denotes the wings of birds, rasana, and hip.
Pakṣavañcitaka: The hands which are in Tripatāka Hasta are placed on the upper part of the hips.
(no Tripataka in this text)
Pakshavancita : Front parts of both hands with pataka hasta are kept in the front parts of waist, it is pakshavancita.
Kaṭakāmukha was suggested in place of tripataka. A few others said tripataka was originally called lalataka. One tripataka held at the waist and other at the head with the tips touching the body is pakṣavañcita.
If one of the two Tripatakas is placed over the head and the other placed over the waist, it is Paksavancita hasta.
Placing tripatāka hastas in front of the waist and the head gives pakṣavañcita.
The fingertips of tripatāka hands are placed on top of the hips in pakṣavañcita.