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Pakṣavañcita

Nṛttahastas - Dance hands (single and combined)

Descriptions and Meanings

200 BCE - 200 CE
The Natya Sastra (NS) - Board of Scholars
Description:
9:192

A Tripataka hand is placed on the waist and the other on the head. The sponsors of dance programmes know this as Pakṣavañcitaka.

No associated meanings
Based upon:

Tripatāka - 9:27

Mentioned by:
Pakṣapradyota
200 BCE - 200 CE
The Natyasastra, Volume I (NS) - Dr. Manomohan Ghosh
Description:
9:188

Pakṣavañcitaka—one Tripatāka hand placed on the waist and another on the head.

No associated meanings
Based upon:

Tripatāka - 9:26-32

Mentioned by:
Pakṣapradyota
400 CE - 500 CE
Visnudharmottarapurana (VDP) - Dr. Priyabala Shah
Description:
26:84

When the fore-parts of the Tripatāka hands are placed on the top of the waist, the performer should know them as Pakṣavancita.

No associated meanings
Based upon:

Tripatāka - 26:17

Mentioned by:
Pakṣapradyota
1100 CE - 1200 CE
The Mirror of Gesture (AD) - Ananda Coomaraswamy
Description:
No verse annotation

Pakṣa-vañcita (bent wing): Tripataka hands are placed upon the hips. Patron deity Arjuna.

Meaning:
No verse annotation:

movement of the thighs, difference.


1100 CE - 1200 CE
Abhinaya Darpanam of Nandikeswara (AD) - P.S.R. Apparao
Description:
8:518

If two Tripataka hastas are placed - one on the waist and the other on the head - it becomes Pakṣavañcita (bent wing) hasta ; its patron deity is Arjuna.

Meaning:
8:518:

This hasta is used to denote the movement of thighs and in showing difference.


No associated images
Description:
8:579-580

If two Ardhacandra hastas are placed on the waist, it is Pakṣavaṁcita hasta.

Meaning:
8:579-580:

This hasta denotes the wings of birds, rasana, and hip.


1126 CE - 1234 CE
The Nṛtyavinōda of Mānasôllāsa, A Study (NVoM) - Hema Govindarajan
Description:
4:1257-1258

Pakṣavañcitaka: The hands which are in Tripatāka Hasta are placed on the upper part of the hips.

(no Tripataka in this text)

No associated meanings
No dependencies
Not included elsewhere
1138 CE - 1400 CE
Śri Pārśvadeva's Saṅgítasamayasāra (SS) - Dr. M. Vijayalakshmi
No associated images
Description:
7:91

Pakshavancita : Front parts of both hands with pataka hasta are kept in the front parts of waist, it is pakshavancita.

No associated meanings
Based upon:

Patāka - 7:39

Not included elsewhere
1200 CE - 1300 CE
Jāyasenāpativiracita Nṛttaratnāvalī, Volume I (NrtN) - Pappu Venugopala Rao and Yashoda Thakore
Description:
2:258

Kaṭakāmukha was suggested in place of tripataka. A few others said tripataka was originally called lalataka. One tripataka held at the waist and other at the head with the tips touching the body is pakṣavañcita.

No associated meanings
1350 CE - 1550 CE
Śrihastamuktāvali (HM) - Maheswar Neog
No associated images
Description:
:874

If one of the two Tripatakas is placed over the head and the other placed over the waist, it is Paksavancita hasta.

No associated meanings
Based upon:

Tripatāka - :37

Not included elsewhere
1500 CE - 1600 CE
Nartananirnaya of Sri Pandrika Vitthala Vol. 3 (NN) - R. Sathyanarayana
Description:
7:119

Placing tripatāka hastas in front of the waist and the head gives pakṣavañcita.

No associated meanings
Based upon:

Tripatāka - 7:96

Mentioned by:
Pakṣapradyota
1600 CE - 1650 CE
Saṅgītanārāyaṇa (SN) - Mandakranta Bose
No associated images
Description:
3:503

The fingertips of tripatāka hands are placed on top of the hips in pakṣavañcita.

No associated meanings
Based upon:

Tripatāka - 3:335

Mentioned by:
Pakṣapradyota

Related Combinations