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Latā

Nṛttahastas - Dance hands (single and combined)

Descriptions and Meanings

200 BCE - 200 CE
The Natya Sastra (NS) - Board of Scholars
Description:
9:190

Two hands to be obliquely stretched sideways are termed Latā.

No associated meanings
No dependencies
Mentioned by:
Karihasta
Valita
200 BCE - 200 CE
The Natyasastra, Volume I (NS) - Dr. Manomohan Ghosh
Description:
9:186

Latā—the two hands to be obliquely stretched sideways.

No associated meanings
No dependencies
Mentioned by:
Karihasta
Valita
400 CE - 500 CE
Visnudharmottarapurana (VDP) - Dr. Priyabala Shah
No associated images
Description:
26:82

Two hands lying on the side and extended obliquely, should be known as Latā, in the acting of Nrtta.

No associated meanings
No dependencies
Mentioned by:
Karihasta
1100 CE - 1200 CE
The Mirror of Gesture (AD) - Ananda Coomaraswamy
No associated images
Description:
No verse annotation

Latā (creeper): Pataka hands held like a swing. Patron deity Sakti.

Meaning:
No verse annotation:

being heavy with drink, beginning (the dance called) svabhava natana, lines, state of union (yoga-condition), etc.


1100 CE - 1200 CE
Abhinaya Darpanam of Nandikeswara (AD) - P.S.R. Apparao
No associated images
Description:
8:516-517

If two Pataka hastas are held like a swing, it is Latā (creeper) hasta. Its patron deity is Sakti.

Meaning:
8:516-517:

Latā hasta denotes the following : motionlessness, heavy with drink, beginning the dance called Swabhava natana, lines and yoga state.


Based upon:

Patāka - 7:223-229

Patāka - 7:230-242

Not included elsewhere
No associated images
Description:
8:561-563

When two Alapadma hastas, bent at the ends, are moving, then it is Latā hasta.

Meaning:
8:561-563:

This hasta is used to denote the following: Bhramara- natya, shaking bud in the wind, creeper full of flowers, shaking of the cluster of flowers and boque (useful for playing as a ball).


Based upon:

Alapadma (Sõlapadma) - 7:373-375

Not included elsewhere
1126 CE - 1234 CE
The Nṛtyavinōda of Mānasôllāsa, A Study (NVoM) - Hema Govindarajan
No associated images
Description:
4:1254-1255

Latābhidha: The hands which are in the Tripataka Hasta are extended to the sides and are moved (recita) continuously.

No associated meanings
No dependencies
Not included elsewhere
1138 CE - 1400 CE
Śri Pārśvadeva's Saṅgítasamayasāra (SS) - Dr. M. Vijayalakshmi
No associated images
Description:
7:90

Latakhya: When the hands are well spread slantingly, it is latakhya.

No associated meanings
No dependencies
Not included elsewhere
1200 CE - 1300 CE
Jāyasenāpativiracita Nṛttaratnāvalī, Volume I (NrtN) - Pappu Venugopala Rao and Yashoda Thakore
No associated images
Description:
2:256

Pataka hastas are stretched horizontally and held loose to form latā hastas. These are used in nrtta and abhinaya. In nitamba and other hastas other scholars suggest tripataka hastas.

No associated meanings
Based upon:

Patāka - 2:97-99

Not included elsewhere
1350 CE - 1550 CE
Śrihastamuktāvali (HM) - Maheswar Neog
No associated images
Description:
:875

If the two Tripatakas in Recita, facing up, are held in the front, a little trembling, it is Lata hasta.

No associated meanings
Based upon:

Tripatāka - :37

Not included elsewhere
1500 CE - 1600 CE
Nartananirnaya of Sri Pandrika Vitthala Vol. 3 (NN) - R. Sathyanarayana
No associated images
Description:
7:118

If tripatāka hands are transversely (obliquely) moved swingingly, it is latākara hasta.

No associated meanings
1600 CE - 1650 CE
Saṅgītanārāyaṇa (SN) - Mandakranta Bose
Description:
3:500

When the hands in patāka or in tripatāka are stretched and swayed sideways it is known as lata by the experts in dance.

No associated meanings

Related Combinations