Two hands to be obliquely stretched sideways are termed Latā.
Latā—the two hands to be obliquely stretched sideways.
Two hands lying on the side and extended obliquely, should be known as Latā, in the acting of Nrtta.
Latā (creeper): Pataka hands held like a swing. Patron deity Sakti.
being heavy with drink, beginning (the dance called) svabhava natana, lines, state of union (yoga-condition), etc.
If two Pataka hastas are held like a swing, it is Latā (creeper) hasta. Its patron deity is Sakti.
Latā hasta denotes the following : motionlessness, heavy with drink, beginning the dance called Swabhava natana, lines and yoga state.
When two Alapadma hastas, bent at the ends, are moving, then it is Latā hasta.
This hasta is used to denote the following: Bhramara- natya, shaking bud in the wind, creeper full of flowers, shaking of the cluster of flowers and boque (useful for playing as a ball).
Latābhidha: The hands which are in the Tripataka Hasta are extended to the sides and are moved (recita) continuously.
Latakhya: When the hands are well spread slantingly, it is latakhya.
Pataka hastas are stretched horizontally and held loose to form latā hastas. These are used in nrtta and abhinaya. In nitamba and other hastas other scholars suggest tripataka hastas.
If the two Tripatakas in Recita, facing up, are held in the front, a little trembling, it is Lata hasta.
If tripatāka hands are transversely (obliquely) moved swingingly, it is latākara hasta.
When the hands in patāka or in tripatāka are stretched and swayed sideways it is known as lata by the experts in dance.