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Talamukha

Nṛttahastas - Dance hands (single and combined)

Descriptions and Meanings

200 BCE - 200 CE
The Natya Sastra (NS) - Board of Scholars
Description:
9:180

(c) Two hands from Caturasra position are held obliquely facing each other. This is called Tālamukha.

No associated meanings
Based upon:

Caturaśra - 9:178

Mentioned by:
Viprakīrna
200 BCE - 200 CE
The Natyasastra, Volume I (NS) - Dr. Manomohan Ghosh
Description:
9:176

Talamukha—the two hands from the Caturasra position to be held obliquely facing each other.

No associated meanings
Based upon:

Caturaśra - 9:174

Mentioned by:
Viprakīrna
1100 CE - 1200 CE
The Mirror of Gesture (AD) - Ananda Coomaraswamy
No associated images
Description:
No verse annotation

Tala-mukha (palms facing): two hands raised face to face before the chest, (not touching). Patron deity Vijnaraja.

Meaning:
No verse annotation:

embrace, stout things, a thick pillar, a sweet-sounding drum.


No dependencies
Not included elsewhere
1100 CE - 1200 CE
Abhinaya Darpanam of Nandikeswara (AD) - P.S.R. Apparao
No associated images
Description:
8:506-507

If two hands are raised face to face (not touching / at a distance) before the chest, it is Talamukha (palms facing) hasta. Its presiding deity is Vinayaka.

No associated meanings
No dependencies
Not included elsewhere
No associated images
Description:
8:551-552

If two Pataka hastas, opposite to each other, are moving, it will be Talamukha hasta.

Meaning:
8:551-552:

This hasta is used to denote - Bhujangasukshma natyam, Mukha natyam, union, understanding and stout objects.


Based upon:

Patāka - 7:223-229

Patāka - 7:230-242

Not included elsewhere
1126 CE - 1234 CE
The Nṛtyavinōda of Mānasôllāsa, A Study (NVoM) - Hema Govindarajan
Description:
4:1240-1241

Talamukha: The two hands which are in Haṁsapakṣa Hasta are raised and placed obliquely facing each other in front of the chest.

No associated meanings
Based upon:

Haṁsapaksha - 4:1162-1163

Not included elsewhere
1138 CE - 1400 CE
Śri Pārśvadeva's Saṅgítasamayasāra (SS) - Dr. M. Vijayalakshmi
No associated images
Description:
7:85

Talamukha : When the hands are positioned in the chest horizontally, it is talamukha.

No associated meanings
No dependencies
Not included elsewhere
1200 CE - 1300 CE
Jāyasenāpativiracita Nṛttaratnāvalī, Volume I (NrtN) - Pappu Venugopala Rao and Yashoda Thakore
Description:
2:241

The caturaśra hands are turned to haṁsapakṣa as before. Facing each other, they traverse the corners and reach their respective sides. These are the talamukha hastas, to be used in the graceful playing of the drums.

No associated meanings
1500 CE - 1600 CE
Nartananirnaya of Sri Pandrika Vitthala Vol. 3 (NN) - R. Sathyanarayana
Description:
7:112

If the udvṛtta [saṁyutahasta] are held obliquely at the sides, it is recognised to be talamukha.

No associated meanings
Based upon:
No image available
Udvṛtta - 7:112

Not included elsewhere
1600 CE - 1650 CE
Saṅgītanārāyaṇa (SN) - Mandakranta Bose
Description:
3:480

When the hands in udvṛtta [are changed] to haṁsapaksha at the sides obliquely with the palms facing each other, it is known as talamukha.

Meaning:
3:480:

It is prescribed by the experts to indicate the sweet sound of drums.



Related Combinations