With the thumb on one side, and the other fingers spread out
forming a crescent moon young trees, crescent moon, pot, woman’s girdle or waist, etc. are suggested.
The hand wherein the fingers along with the thumb are kept bent depicting a bow is well known as Ardhacandra. Its application (function) is being mentioned.
Small plants the diget of the moon, the conch, the pot, bracelet, forcible forward thrust, excessive exertion, slenderness of the waist the girth etc. should be represented by means of this hand.
With this Ardhacandra alone should be represented the girdle, hips, waist, the face, the Talapatra (leaflike ornament for ears) and the Kundala (the ear ornment that hangs down suspended) of women.
Ardhacandra (crescent moon)—the fingers and the thumb so bent as to make a curve like a bow.
With this should be represented young trees, crescent moon, conch shell, jar (kalaśa), bracelet, forcible opening, exertion, thinness and drinking. With this [very] Ardhacandra hand women should represent girdle, hip waist, face, Tālapatra and earring.
In Ardhacandra, Anāmika (ring-finger) touches the thumb.
It is used to denote young (rising) moon, children, tala trees, girdle, jaghana (hips) and ear-rings (kundalas).
samyutahastas
God, remembrance, grass and hair of men.
If the fore finger and the thumb are stretched out and the other fingers are bent slightly, the hasta is Ardhacandra
…and four asarnyutahastas.
Asumyutahastas are - to set out, smile, contempt, 'what'.
Ardhaçandra (half-moon): the thumb of the Patāka hand is stretched out.
the moon on the eighth day of the dark fortnight, a hand seizing the throat, a spear, consecrating an image, a platter, origin, waist, anxiety, one’s self, meditation, prayer, touching the limbs, greeting common people.
According to another book: same definition. This hand originates from the desire of Siva for ornaments, of which the moon is one. Its sage is Atri, its race Vaisya, its colour smoky, its patron deity Mahadeva.
bangle, wrist, mirror, astonishment, effort, intemperance, entirety, beating time, tying up the hair, supporting the cheek in grief, the ear of an elephant, ex¬pelling evil-doers, wiping sweat from the brow, adolescence, ability, moon, greeting common people, consecration, eyebrow, cloth, bow, preeminence, tightening the girdle, making a vessel, the body, movement of the feet, carrying a child, the back, white colour, Vaisya caste.
Ardhacandra (half-moon): If the thumb of the Patāka hand is stretched out, the latter is called Ardhacandra.
It is used to denote the phase of the moon on the eighth day of the dark fortnight, a hand seizing the throat, a spear, consecrating an image, a dining plate, origin, waist, musing, one’s ownself, meditation, prayers, touching limbs, and greeting by common people.
If the thumb of the Patāka hasta is streched out it becomes Ardhaçandra hasta.
Ardhaçandra hasta is used to represent the following: the moon on the
When the thumb of Pataka hasta is stretched away from the other fingers, it beocmes Ardhaçandra hasta.
Ardhaçandra hasta is used to denote the following: bangle, wrist, mirror, astonishment, fatigue or effort, unlimitedness, entirety, beating time, tying up the hair, young tree, supporting the cheek in grief, the ear of an elephant, the youth, ability, moon, greeting common people, consecration, eye brow, fine cloth, bow, plenty, tightening the girdle, making a (mud) vessel, the body, movement of the feet, carrying a child, the back, gowra varna, Vaisya jāti.
Ardhacandra: The thumb of the Ahiphana Hasta is stretched out.
When facing downwards this Hasta is used to depict sweeping, mixing and clasping the waist. When facing upwards it is used to depict surprise and the moon, ...
Ardhacandra: If the fingers are kept together with bowing them like half circle excluding the thumb, it is ardha candra.
It shows the waning moon.
If the thumb of the sarpaṡīrṣa hasta is separated, it is called ardhacandra.
It finds usage in forcible removal, pitcher,
the crescent on the day before or after the new moon, the string around the waist, belly, earrings and conch. Generally it is also used in love-sport and other emotions of women.
The hasta, in which the fingers, from the fore-finger to the little one, are bent a little close together, and the thumb also is bent (in its own place), is Ardhacandra, looking a bow.
When the middle finger, ring-finger and little finger are formed into a fist, and the fore-finger and the thumb are kept wide apart, it is called Ardhacandra hasta. Of these two Ardhacandra hastas one that befits a particular situation is to be applied.
The full moon, crescent moon, a conch, Aruna—the charioteer of Surya, a pitcher, the mid part of the body, a beautiful woman, a young woman,
exhibiting, despatching, a plump one, a small tree, an eclipse, a woman’s girdle of tinkling bells, sleeping, the fire under the sea,
the buttocks, the thighs, the mouth, half the body, fuel, bangles, bracelet, ear-ring, ear-beads,
an armlet, an ornament, a child, the air, money, a widespread thing, an uneven thing, a fortress, the vital wind, a mule,
the days of a lunar month, the day of new moon, the day of full moon, a hut with' the nails, a high wall, a cover, a river, frost, a woman offended with her husband, a bashful woman,
the thin moon of the second briglit lunar night, the digits of the moon—in all these the hasta ardhacandra is prescribed. Detailed Description of the Subjects of Ardhacandra Hasta
If over the head of the left Ardhacandra the right Ardhacandra's index-finger is moved in a circle a number of times,
it is an indication of the full moon.
If Ardhacandra is placed in front of the mouth
it indicates a crescent moon.
If the two Ardhacandras are placed together at the front,
it is a conch-shell.
If Ardhacandra is placed on the hip in a position of kneeling down with both the knees and with the eyes looking asquint at the sky,
it is the brother of Garuda (that is Aruna ).
If the two Ardhacandras are raised, making with both a rounded shape,
it is a pitcher.
If the middle and ring-fingers of the two Ardhacandras are made together and are held at a distance in front,
it depicts the middle part of the body.
If the left Ardhacandra is raised up a little from near the waist,
it means a beautiful woman. It means a young woman.
If Ardhacandra is pushed to the front,
it means exhibition of a thing. It means despatching (a thing or person).
by Ardhacandra taking different dimensions as called for
The plumpness of a person is indicated.
If the two Ardhacandras are raised from below to an upper position,
it means a small tree.
If the right Sucimukha with the right Ardhacandra on its back is placed on the head,
it indicates an eclipse of the Sun or the moon.
If the two Ardhacandras circle around the waist,
a woman’s girdle with tinkling bells is pictured.
If Ardhacandra is placed near the ear,
it means sleeping.
If Ardhacandra is placed near the mouth,
it is the fire under the sea.
by placing itself in the proper place and taking the proper shape in each case
Ardhacandra will stand for all the subjects from ‘the buttocks’ to ‘a cover’
If the two Ardhacandras move from the right to the left,
it indicates a river.
If the two Ardhacandras, facing downwards, are held at the front,
it is falling of frost.
If Ardhacandra is slowly brought near the eyes,
it means a woman offended with her husband or a bashful woman with the display of the proper state of mind.
If the ring finger, middle finger and the small finger of Ardhacandra are closed in a fist,
it would indicate the crescent of the second day of the bright half of the month or the digits of the moon.
Holding the fingers of pancasya close together but separating the thumb is ardhacandra.
When the fingers are curved with the thumb like a bow resembling the crescent moon, the hand is known as ardhacandra.
By usage it is also used in forcible ejection. it is moved around making a circle.
To indicate a bangle on a wrist
The same [hand], turned away,
indicates fatigue.
The [same hands], curved in the middle, face each other and are joined in the same way
to indicate earrings when held near the ears.
The hands are separated and held upwards
to indicate a young tree.
The same hands are placed at the front of the mouth
to indicate a conchshell.
they are placed forward facing the front.
To indicate a water-pot,
The [same] hands point downwards touching the hips
to indicate a girdle.
the middle part should be shown by both Ardhacandra and Musti,
Parvati; Parvati is to hold Ardhacandra with the right hand held up, and Ardhacandra should be held by the left hand also, but it should be held down. The two hands should be in Abhaya (fear-dispelling) and Varada (giving a boon) poses respectively.
Mother: If Ardhacandra is held by the left hand and Sandamsa by the right one, and the left hand is turned round over the belly, the result will be the mother hands. Use: It is used to denote a mother and a virgin.
Father: If the right hand of the mother hands holds Sikhara, the result will be the father hands. It is used to denote a father and a son-in-law.
When right hand holds Sucihasta and left hand holds Ardhacandra hasta, then it is Saraswati hasta.
When two Ardhacandra hastas are held by the left hand and the right hand as Varada hasta and Abhayahasta, respectively and extended upward (left hand) and down ward (right hand) respectively, it is known as Parwati Note: In practice, it is understood, that the left hand will be downward and the right hand will be upward. (Abhaya - dispelling fear . Varada = giving boon).
Parwati Hasta: To hold Ardhacandra hastas with both hands as Varada and Abhaya hastas