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Ḍola

Saṃyuta Hasta - Double Hand Gestures

Descriptions and Meanings

200 BCE - 200 CE
The Natya Sastra (NS) - Board of Scholars
Description:
9:142

Dola. Both the shoulders are at ease in a Karana and two Pataka hands long down. This constitutes the Dola hand.

Meaning:
9:143:

This hand represents haste, sadness, loss of sense, swooning, inebriated state, excitement illness and weapon-inflict¬ed wounds,


Based upon:

Patāka - 9:18

Not included elsewhere
200 BCE - 200 CE
The Natyasastra, Volume I (NS) - Dr. Manomohan Ghosh
Description:
9:141

Dola—When the two shoulders are at ease in a Karaṇa and the two Patāka hands are hanging down the Dola hand is produced.

Meaning:
9:142:

It is to be used in indicating hurry, sadness, fainting, fit of intoxication, excitement, state of illness and wound by a weapon.


Based upon:

Patāka - 9:17-26

Not included elsewhere
400 CE - 500 CE
Visnudharmottarapurana (VDP) - Dr. Priyabala Shah
Description:
26:62

When the two Patāka hands are hanging down-wards it becomes Dola.

Meaning:
26:63:

It should be done to show meditation, giving charity and to show eatables.


Based upon:

Patāka - 26:14

Not included elsewhere
1100 CE - 1200 CE
The Mirror of Gesture (AD) - Ananda Coomaraswamy
No associated images
Description:
No verse annotation

Ḍola (swing): two Pataka hands placed on the thighs.

Meaning:
No verse annotation:

beginning a Natya.


Description:
No verse annotation

According to another book: Pataka hands at the sides. The patron deity is Bharati.

Meaning:
No verse annotation:

infatuation, fainting, drunken indolence, welcoming the beloved (vilasa), etc.


1100 CE - 1200 CE
Nandikeśvara's Abhinaya Darpaṇam, 3rd edition (AD) - Dr. Manomohan Ghosh
No associated images
Description:
1:181

Ḍolā. When the Patāka hands are placed on the thigh the Ḍolā hand is formed.

Meaning:
1:182:

It is used at the beginning of natya.


Based upon:

Patāka - 1:92-94

Not included elsewhere
1100 CE - 1200 CE
Abhinaya Darpanam of Nandikeswara (AD) - P.S.R. Apparao
No associated images
Description:
8:467

Ḍola Hasta. When two Pataka hastas are placed on the sides of the respective thighs, it becomes Ḍola hasta (dola = dola = a swing).

No associated meanings
Based upon:

Patāka - 7:223-229

Patāka - 7:230-242

Not included elsewhere
Description:
8:468

When two Pataka hastas are hanging on their respective sides, it becomes Ḍola hasta.

Meaning:
8:468:

Ḍola hasta is used to denote the following: infatuation, fainting, drunkenness or intoxication, indolence and vilasa etc.


Based upon:

Patāka - 7:223-229

Patāka - 7:230-242

Not included elsewhere
1126 CE - 1234 CE
The Nṛtyavinōda of Mānasôllāsa, A Study (NVoM) - Hema Govindarajan
Description:
4:1225-1227

Dōla: The hands which are in Pataka Hasta are stretched straight down and the shoulders are relaxed.

Meaning:
4:1225-1227:

This Hasta is used to depict fatigue, grief, swooning, intoxication, sorrow and fear,


Based upon:

Patāka - 4:1158-11161

Not included elsewhere
1138 CE - 1400 CE
Śri Pārśvadeva's Saṅgítasamayasāra (SS) - Dr. M. Vijayalakshmi
Description:
7:73

Dolahasta: If both hands are spread down with pataka hasta it is dola hasta

Meaning:
7:73:

This should be used in sorrow intoxication, unconciousness, illness and confusion.


Based upon:

Patāka - 7:39

Not included elsewhere
1200 CE - 1300 CE
Jāyasenāpativiracita Nṛttaratnāvalī, Volume I (NrtN) - Pappu Venugopala Rao and Yashoda Thakore
Description:
2:188

The hands holding the patāka hasta, the arms are dropped at the sides to form dola.

Meaning:
2:188:

It is used to depict despair, bewilderement, intoxication, direct blow, panic, stroke, swoon, injury from weapons, etc.


Based upon:

Patāka - 2:97-99

Not included elsewhere
1350 CE - 1550 CE
Śrihastamuktāvali (HM) - Maheswar Neog
Description:
:75

If the two hands in the form of two Patakas are lowered somewhat loosely, it becomes Dola hasta, endowed with cadence of hastas.

Meaning:
:818:

A quarrel, difficulty, falling into unconsciousness, the unconscious, dignity, the dignified, a stroke, a harm,


:819:

pride, the proud, a disease, the diseased, labour, the tired, affliction, the afflicted,


:820:

a hurt, the hurt, a fall, the fallen, a hurt from a weapon, the hurt from a weapon, affliction, the afflicted,


:821:

the month of Bhadra, swinging, prayers, salution, following, a swing, a boat, the Dola-yatra festival—in these is Dola hasta very aptly applied.


:822:

All the subjects from ‘a quarrel’ to ‘the afflicted’ are to be demonstrated in each case putting the hand in the proper place and in the proper way.


Based upon:

Patāka - :31

Not included elsewhere
No associated images
Description:
:823

When Dola is swung at the front,

Meaning:
:823:

it means the month of Bhadra; it also means a swing.


No dependencies
Not included elsewhere
No associated images
Description:
:823

If Dola is held at the front and the posture of entreaties is taken,

Meaning:
:823:

it means prayers.


No dependencies
Not included elsewhere
No associated images
Description:
:824

If Dola touches the head,

Meaning:
:824:

it means a salute.


No dependencies
Not included elsewhere
No associated images
Description:
:824

If Dola is shown with the neck a little obliquely put,

Meaning:
:824:

it is an indication of compliance.


No dependencies
Not included elsewhere
No associated images
Description:
:824

If the two hands of Dola hang loosely on the sides,

Meaning:
:824:

it is a swing.


No dependencies
Not included elsewhere
No associated images
Description:
:824

If Dola moves forward,

Meaning:
:824:

it is a boat.


No dependencies
Not included elsewhere
No associated images
Description:
:824

If Dola is swung at the front,

Meaning:
:824:

it denotes the Dola-yatra festival.


No dependencies
Not included elsewhere
1500 CE - 1600 CE
Nartananirnaya of Sri Pandrika Vitthala Vol. 3 (NN) - R. Sathyanarayana
No associated images
Description:
7:104

Dola is [formed] by two patāka hands, palms upturned and joined together.

No associated meanings
No dependencies
Not included elsewhere
1600 CE - 1650 CE
Saṅgītanārāyaṇa (SN) - Mandakranta Bose
Description:
3:444

When the hands in patāka hang down with the shoulders slackened and the fingers separated, it is called dola.

Meaning:
3:444:

This is used in disease, dejection, fainting, intoxication and also in fatigue. In walking with dignity or pride, the hands swing at the sides.


Based upon:

Patāka - 3:325-327

Not included elsewhere

Related Combinations