In the above gesture (Tripataka) when the second (index) finger is on the back of the middle finger it is Kartarimukha.
Holding downwards, it suggests traveller walking, etc. Holding upwards suggests mountain summit, etc. By the two fingers (second and middle) walking in broken steps is also suggested.
In the Tripatāka hand if the index finger faces the back of the middle finger it is Kartarīmukha
This hand with face downwards indicates walking along the road; decorating the feet colouring them or dancing. With the finger pointing upwards the hand represents biting, blowing of horn or painting of a picture.
When the fingers in the hand are turned towards different directions (or different modes of folding) jit represents falling down, dying, transgressing, reverting, cogitating and depositing of some (valuable) thing.
This hand is employed by persons conversant with it either as Saṁyutakaraṇa (with both the hands joined) or as Asaṁyuta (disjointed) in regard to black antelope, Camara deer, buffalo, divine elephant, bullock, ornamental gateway and peaks of mountains.
Kartarīmukha (scissors’ blades)—the forefinger of the Tripatāka hand is to bend backwards.
This [hand with its fingers] pointing downwards will represent showing the way, decorating the feet or dying them, and the crawling [of babies]. With fingers pointing upwards it will represent biting, horn and letters. And when the fingers in it are turned differently (i.e. the middle finger is bent backwards) it will represent falling down, death, transgression, reversion, cogitation and putting [anything] in trust.
And with the two such (saṃyuta) hands or one such (asaṃyuta) hand should be represented an antelope, yak, buffalo, celestial elephant (airāvata), bull, gate (gogūra) and hill-top.
When Tarjani (forefinger) of Tripatāka hands looks at the back (of Madhyama), it should be known as Kartarīmukha.
It should be done for indicating walking on the road, cutting and falling.
When the little finger is raised, other these fingers are slightly bent and the forefinger touches the thumb, the mudra is Kartarimukha.
….Out of these, the first sixteen are samyutahastas
Sin, weariness, Brahmin, fame, forehead of an elephant, house, observing austerities / holiness / purity, bank, dynasty, hunger, to hear, to eat, pregnancy, symbol of summing up, hunting, you [addressing an equal or one above],
….. and the rest are asamyutahastas.
word, difference in time, plural, we, man, face, verbal or physical expression amounting to hatred, child, mangoose - these meanings are shown by Kartarimukha.
Kartarī-mukha (arrow shaft face): in the same hand, the forefinger and little finger are outspread.
separation of woman and man, opposition or overturning, stealing, the cor¬ner of the eye, death, disagreement, lightning, sleeping alone, falling, a creeper.
According to another book: the forefinger of the Tripatāka hand is out(-spread). Once upon a time, the sages say, Sasanka- sekhara (Siva), set out to slay Jadandhara; he drew a circle round the centre of the earth with his forefinger, and that is the origin of the Kartarīmukha hand. It originates from Siva, its sage is Parjaniya, its race Ksattriya, its colour coppery, its patron deity Cakrapani (Vishnu).
red paint for the feet (padalaktaka), drawing patterns on the body, yearning of separated husband and wife, overturning or opposition, Madhava, lightning, sleeping alone, buffalo, deer, fly-whisk, hill-top, elephant, bull, cow, thick coil of hair, Ksattriya caste, copper colour, scissors, tower.
Kartarīmukha: If the forefinger and the little finger of the same band (Ardhapatāka) are outspread it is called Kartarimukha.
It is used to denote the separation of a man and a woman, overturning or opposition, plundering, a corner of an eye, death, estrangement, lightning, sleeping alone during separation, falling and weeping.
When the forefinger and the little finger of Tripatāka hasta are extended back, it becomes Kartarīmukha hasta.
Kartarīmukha hasta is used to denote the following: separation of woman and man, opposition or overturning, stealing, corner of an eye, death, disagreement, lightning, reclining alone with pangs of separation, falling, creeper
When the fore finger of Tripatáka hasta is streched backward it becoms Kartarī (mukha) hasta.
Kartarī hasta is used to denote the following: applying red paint on the foot, falling down, reading what is written, yearning of separated wife and husband, over turning or opposition, Vishņu, lightning, sleeping alone, buffalo, deer, fan, hill-top, elephant, bull, cow, comb, man of Kshatriya race, copper colour, scissors and tower. Once upon a time, when Siva set out to slay the demon Jatādhara, He drew a circle at the centre of the earth with His forefinger and that is the origin of the Kartaríhasta (as suggested by the sage).
Kartari: In that hasta (tripataka) if the forefinger is kept looking at the part of middle finger, it is kartari,
this indicates some argument or showing the teeth.
If the forefinger in the tripatāka hasta is held in such a way that it gives an impression it is watching the back of the middle finger, know that it is kartarīmukha.
It is faced downwards and used to paint the feet, etc. An upright glance, horns, etc. are expressed with this. The kartarīmukha can also be used to depict a person reading a reply.
When the fore-finger of the Pataka hasta stands behind the back of the middle finger, and the ring-finger bends a little, it should be called Kartarimukba.
Alternatively, when the little and ring-fingers are gripped into a fist with the thumb, and the middle and fore-fingers are spread out close together, it is Kartarimukba. Of these two Kartarimukbas one that befits a particular situation is to be applied.
An eye, looking, a horn, a foot, a road, unsteady movement transgressing, a book, placing, the painting of the feet,
controversy, a painting, death, a violent change, the heavenly Ganga, bashfulness, dissolution,
massage of body, a knife, a sin, anger, ugliness, a forest conflagration, the month of Sravana, the Dvapara age,
a curved thing, a braid of hair, a chain, a variegated thing, the plastering of sandal paste, etc., different styles of hair dressing, a hit, a waist-band with small tinkling bells, a bird,
a jingling ornament of the anklet, the stars, a part of a thing, a garden, wealth, a house all of creepers, a flower-bud, fever, movement of a procuress of lovers,
love-making, the separation of lovers, a boat, a horse, the movement of boats or horses, the sight of very rare objects,
fear, an ear-ring, inverted union, rest, happening, words of women, other writings,
a disease, a quarrel, a knot, seals, etc., an arch, boldness, disputation, a saw, etc.,
a little cut, break with a friend, the fear of abortion of a woman, the counting of days of conception of a woman, a marriage, a couple,
a mass saying ‘There is’, a chariot, a cart, a wet thing, the beloved, a blue thing, a yellow thing, rasa, laughter, a little shivering, menstrual discharge—in all these subjects I prescribe the hasta named Kartarimukha
If the Kartarimukha hasta, with the fingers pointing upwards, is taken near the eyes,
it is the eye or looking (sight) that is considered as shown according to scholars.
If the two Kartarimukhas touch the forehead,
it speaks of the horns of buffaloes, etc., and buffaloes, etc.
If the two Kartarimukhas, facing downward, are taken near the feet,
they speak of the feet.
If a Kartarimukha is extended forwards,
it means a road.
If the two Kartarimukhas are held on the sides facing upward and then downwards,
it stands for walking with unsteady steps.
If the two Kartarimukhas are raised sportfully from the front to the sides,
it means a transgression.
If the two Kartarimukhas are held in the front, facing upward,
it would speak of a book.
If the two Kartarimukhas, facing upward, are slowly lowered and made to face downward,
it just means the placing of a thing.
If a Kartarimukha is put obliquely and moved near the feet repeatedly,
it means painting the feet.
If the two Kartarimukhas are kept facing downward and then made to face upwards,
it means pondering over a controversial matter.
If the two Kartarimukhas are made to free downward and then upward while taking them to the sides,
it means death.
If the two Kartarimukhas are made to face downward in the front and then made to face upward,
it means a violent change.
If Kartarimukha is slowly moved downward from on high,
it means the divine Ganga.
If Kartari is moved obliquely to near the eye,
it means bashfulness.
If the two Kartarimukhas, facing upward, are moved to the sides and then kept obliquely,
it is dissolution of creation.
If Kartarimukha is shaken and taken to the sides,
it suggests squeezing of the body (of feet, etc.).
If Kartarimukha is moved from the front to the sides,
it denotes a knife.
If the left Kartarimukha is put over the heart,
it means a sin, it means anger, and it means the ugly.
If the two Kartarimukhas are shaken and moved to the top,
it is forest conflagration.
If a trembling Kartarimukha is brought down from the top,
it means the month of Sravana.
If a Kartarimukha, facing upward, is taken from the front to the side,
it speaks of the Dvapara age.
If a Kartarimukha is obliquely made to face upward,
it means a curved thing.
If the two Kartarimukhas are placed obliquely with the fingers pointing up behind the left ear,
it indicates a dressed up braid of hair—a source of intellectual pleasure to Subhahkara.
If a Kartarimukha embraces the neck and breasts,
it shows a necklace.
If a Kartarimukha is moved in a circle
it means a variegated thing.
As Kartarimukha touches different places
we have to understand the plastering of sandal paste, etc., in those places.
When Kartarimukha touches the hair on sides
it means different styles of hair-dressing.
If an oblique Kartari is let fall on the right,
it means hitting.
If Kartari embraces the hips,
it indicates a waist-band with small tinkling bells.
When a Kartari moves like a flying bird,
it means a bird.
If Kartari is moved round the ankle of the feet
it means the jingling ornament of the anklet.
If Kartari moves round atop,
it means stars.
If Kartari is moved obliquely down from the right side,
it stands for a part of a thing.
If the two Kartaris taken facing downward to the front
it means a garden.
If Kartari is taken down in the front,
it means wealth.
If the tips of finger of the two Kartaris are put together and the two hands are somewhat raised,
it is a 'creeper house’.
If the right Kartari is shaken and moved to the right,
it means a flower-bud.
If Kartari is shaken and taken high up,
it means fever.
If the left Kartari is struck hard by the right Kartari,
it means union—a sweet thing fixed by Bharata.
If the two Kartaris are moved separately to a distance,
it is separation of lovers.
If the left Kartari is taken to the front and the right Kartari is kept behind it and shaken,
it stands for a boat, it means a horse, and it means the movement of both.
If Kartari is taken atop and shaken,
it means the sighting of a rare object.
If the tips of Kartari point towards the top and the hand is shaken over the breast,
it indicates fear.
If Kartari touches the ear,
it is an ear-ring.
If the left Kartari holds the right one,
it means inverted union.
When Kartari moves sportively to the right,
it means rest.
If the left Kartari faces upwards and the right Kartari faces downwards,
it means a piece of writing something happening, or women’s words in a writing.
If the two Kartaris strike each other,
it means disease, it means a quarrel.
If the two Kartaris join each other by the ends of the fingers
, it denotes a knot, it means a seal, or it means an arch.
If the two Kartaris sweep suddenly to the sides of the ears,
that would be an indication of courage.
If Kartari is held in the front,
that means a scriptural disputation.
If Kartari is moved from the back to the front,
it would suggest a saw, etc., it speaks of a little cut, of break with a friend.
If Kartari moves to the dancer’s navel,
it indicates fear of abortion.
If the left Kartari is shaken and moved below the navel,
it counts for the third day of conception.
If that very hasta stays above the navel,
it indicates the sixteenth day of conception.
If Kartari is placed over the navel and below the breasts,
it indicates full conception.
If the two Kartaris are held facing upward and are raised,
it speaks of a marriage.
If Kartari is moved in front of the heart,
it means a couple.
If the two Kartaris are raised high,
they mean a mass of objects.
If a Kartari is lowered,
it says, ‘There is’.
If the two Kartaris are extended facing upwards,
it means a chariot, and it means a cart.
If die right Kartari is held facing downward,
it means a wet thing.
If the right Kartari is moved with ease from near the breast upward to the front,
it means a beloved.
If the two Kartaris rub each other,
it means a black thing. ||
If Kartari is demonstrated at the front,
it means rasa.
If Kartari is held near the mouth,
it means laughter.
If Kartari is shaken slightly at the front,
that indicates a slight tremble.
If the two Kartaris are joined at the front, and then quickly separated and gleefully brought below the navel,
it means menstrual discharge.
The renowned Subhahkara, etc., etc. Thus has gone the fourth well- known hasta, namely, kartarimukha,
Separating midfinger from forefinger of tripatāka [results in] kartarī.
It is called kartarimukha when the forefinger of a tripataka hand is joined to the middle-finger and the thumb touching them.
It is held downwards
in discussing journey and in painting the feet [with lac].
the hand is moved from the nose to the end of the ear.
To indicate viewing
The same hand, facing upwards, is placed forward two or three times
to indicate reading a book.
Two hands are held on the head
to indicate horns.
and Vidyadhara (Celestial being) should be shown by both Kartarimukha and Musti.
Shatra should be shown by Kartarimukha and Kataka,
Girl / virgin – Kartarimuka and Kataka
Residence - Pataka and Kartarimukha.
son and grandson - Kartarimukha and Mudrakhya,
Royal hirer - Pataka and Kartarimukha,
conch, step, flute - two Kartarimukhas close to each other.
Husband’s Brother: If Sikhara is held by the left hand and Kartarimukha is held by the right one, and the hands arc placed on sides, the result is the hands of the husband’s brother.
Husband's Sister: If at the end of the preceding hand (Husband's Brother) the right hand shows the gesture indicating a woman (i.e., the Mrgasirsa), the result will be the hands of the husband’s sister.