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Tāmraçūḍa

Asaṃyuta Hasta - Single Hand Gestures

Descriptions and Meanings

200 BCE - 200 CE
The Natysasastra (NS) - Adya Rangacharya
Description:
9

Tamracuda: The thumb and the middle finger touch each other, the second is bent, the other two touch the palm.

Meaning:
9:

It is used to beckon children, to rebuke and so on.


No dependencies
Not included elsewhere
200 BCE - 200 CE
The Natya Sastra (NS) - Board of Scholars
Description:
9

The middle finger crosses with the thumb, the index finger is kept bent, the remaining two fingers resting on the palm. This is called Tāmracūḍa.

Meaning:
9:123-125:

Small fractions of time viz. Kala, Kastha, Ksana Nimesa arc represented by this hand. It also represents talking to and inviting a young girl. Even of the fingers are kept close to one another and made bent with the thumb set on them the hand is termed Tamaracuda. With this hand, hundred, thousand gold coins are indicated. If the fingers are quickly made to move freely it represents sparks or drops.


9:

In order to indicate rebuke this hand is allowed to fall down with a thud. Beating time, instilling self-confidence, rapidity and gesticulation too are indicated hereby.


No dependencies
Not included elsewhere
200 BCE - 200 CE
The Natyasastra, Volume I (NS) - Dr. Manomohan Ghosh
Description:
9:121-122

Tāmracūḍa (lit. copper-crest i.e. cock)—the middle finger and the thumb crossed, the fore-finger bent, the remaining [two fingers] at the palm.

Meaning:
9:121-122:

It should fall down with a sound to represent rebuke, beating time, inspiring confidence, quickness, and making signs.


9:123:

This hand is also to be used to indicate small fractions of time such as Kalā, Kāṣṭhā, Nimeṣa and Kṣaṇa as well as talking to a young girl and inviting her.


9:124:

When the fingers in a hand are close to one another, bent and the thumb is set on them, the same is [also] called the Tāmracūḍa hand.


9:125:

By this hand are to be indicated hundred, thousand and lac of gold coins, and when the fingers in it are suddenly made to move freely it will represent sparks or drops.


No dependencies
Not included elsewhere
1100 CE - 1200 CE
The Mirror of Gesture (AD) - Ananda Coomaraswamy
Description:
No verse annotation

Tāmraçūḍa (red-crest, i. e. cock): the forefinger of the Mukula hand is bent.

Meaning:
No verse annotation:

cock etc., crane (baka), camel, calf, writing or drawing.


No associated images
Description:
No verse annotation

According to another text: the thumb and little finger of the Patāka hand are pressed together. Of old, when the Three Vedas assumed a visible form, and stood before Brahma to make expo-sition of themselves, they used this hand. Its sage is Vajrayudha (Indra), its colour mother of pearl, its race Deva, its patron deity Brhaspati.

Meaning:
No verse annotation:

the Three Worlds, trident, the number three, wiping away tears, the Three Vedas, wood-apple leaf, rubbing down a horse, leaf, panel (phalaka), cock, Deva race, white colour.


1100 CE - 1200 CE
Nandikeśvara's Abhinaya Darpaṇam, 3rd edition (AD) - Dr. Manomohan Ghosh
Description:
1:163

Tāmracūḍa (cock). If the fore-finger of the Mukula is curved the Tāmracūḍa hand will result.

Meaning:
1:164:

It is used to denote a cock, a crane, a crow, a camel, a calf and a pen.


Based upon:

Mukula - 1:161-162

Not included elsewhere
1100 CE - 1200 CE
Abhinaya Darpanam of Nandikeswara (AD) - P.S.R. Apparao
Description:
7:430-431

If the forefinger of Mukula hasta is curved it becomes Tamraçùda (=cock) hasta.

Meaning:
7:430-431:

Tāmraçūḍa hasta is used to denote the following: cock etc, crane, crow, camel, child or calf, writing. There are two different definitions for Tâmraçūda hasta, in N.S: This definition is different from those two.


Based upon:

Mukula - 7:424-425

Mukula - 7:426-429

Not included elsewhere
No associated images
Description:
7:432-435

When the thumb and the little finger of Patāka hasta are pressed together, it becomes Tāmraçūḍa hasta.

Meaning:
7:432-435:

Tāmraçūḍa hasta is used to denote the following: the three worlds, trident, number three, wiping out tears, the three Vēdas, bilwa leaf, dēva race and white colour.


Based upon:

Patāka - 7:223-229

Patāka - 7:230-242

Not included elsewhere
1126 CE - 1234 CE
The Nṛtyavinōda of Mānasôllāsa, A Study (NVoM) - Hema Govindarajan
Description:
4:1197-1199

Tāmraçūḍa: The forefinger of the Mukula Hasta is raised up and bent. The little finger and the ring finger touch the palm.

Meaning:
4:1197-1199:

This Hasta is used to depict inspiring confidence in children, hurrying up, snapping fingers, in war, yawning and kings.


Based upon:

Mukula - 4:1186-1188

Not included elsewhere
1138 CE - 1400 CE
Śri Pārśvadeva's Saṅgítasamayasāra (SS) - Dr. M. Vijayalakshmi
Description:
7:63

Tamracūḍaka: In the bhramara hasta when fingers are in the front part of of palm it is tamracūḍaka.

Meaning:
7:63:

This is used to indicate the fastness of the tāla, stroke, etc.


Based upon:
No image available
Bhramara - 7:51

Not included elsewhere
1200 CE - 1300 CE
Jāyasenāpativiracita Nṛttaratnāvalī, Volume I (NrtN) - Pappu Venugopala Rao and Yashoda Thakore
No associated images
Description:
2:170

If the ring and little fingers of the bhramara hasta are bent into the palm, it is tāmracūḍa.

Meaning:
2:170:

This represents the hen, driving away smaller animals...


2:171:

...to begin the (tala) rhythm, haste, make somebody believe, a second, call boys and others, the yawn of the boss, etc.


Based upon:

Bhramara - 2:150

Not included elsewhere
1350 CE - 1550 CE
Śrihastamuktāvali (HM) - Maheswar Neog
No associated images
Description:
:53

If the tips of the middle finger and the thumb touch each other, the forefinger rises up a little and is bent, and the two other, fingers are clamped on the palm, it is Tamracuda hasta.

Meaning:
:616:

A gesture, yawning, the quick, a spark of fire, a drop of water or any other liquid, the clapping of thunder, the dance of children,


:617:

the awakening of children, frying or roasting, the Kali age, gold, silver, copper, brass, lead,


:618:

iron, tin, bell-metal, counting, hair of the head, red chalk, any metal, a peacock’s tail,


:619:

a hundred, a thousand, a million, a lac, a billion, a crore, ten crores, a hundred crores, a thousand crores, a million crores, a lac crores, a billion crores, the innumerable,


:620:

one-sixteenth, one-thirtieth of a unit, etc., the minute, a coxcomb, the tiniest particle of water, the sight of a woman just delivered of a child, rain, twinkling of the eye, birth, the dwarf incarnation of Visnu—in all these Tamracuda can be applied.


:624:

All the subjects from ‘the awakening of children’ to ‘birth’, easy as they are, are to be exhibited, by the expert with their own skill.


No dependencies
Not included elsewhere
No associated images
Description:
:621

When Tamracuda moves slowly to the back of the ear,

Meaning:
:621:

it is a gesture.


No dependencies
Not included elsewhere
No associated images
Description:
:621

If Tamracuda is brought near the mouth ending with a sound made with the thumb and the index finger,

Meaning:
:621:

it means yawning.


No dependencies
Not included elsewhere
No associated images
Description:
:622

If the index finger of Tamracuda is extended towards the front or towards the left,

Meaning:
:622:

it indicates quickness.


No dependencies
Not included elsewhere
No associated images
Description:
:622

If all the fingers of Tamracuda are extended to the front,

Meaning:
:622:

it is an indication of sparks of fire. The same movement means a drop of water or any other liquid.


No dependencies
Not included elsewhere
No associated images
Description:
:623

If Tamracuda is raised very high,

Meaning:
:623:

It would mean the roar of clouds.


No dependencies
Not included elsewhere
No associated images
Description:
:623

If Tamracuda is playfully raised at the front,

Meaning:
:623:

it indicates a dance of children.


No dependencies
Not included elsewhere
No associated images
Description:
:625

If the skeleton is bent down and the eyes look downwards,

Meaning:
:625:

Tamracuda would then stand for Lord Visnu in dwarf form.


No dependencies
Not included elsewhere
1500 CE - 1600 CE
Nartananirnaya of Sri Pandrika Vitthala Vol. 3 (NN) - R. Sathyanarayana
Description:
7:89

When the forefinger of sūcīmukha is bent, it is tāmracūḍa.

No associated meanings
1600 CE - 1650 CE
Saṅgītanārāyaṇa (SN) - Mandakranta Bose
Description:
3:425

When the tip of the thumb touches the tip of the middle finger and the forefinger is bent while the other fingers rest on the palm, it is known as Tāmraçūḍa.

No associated meanings
No dependencies
Not included elsewhere
Description:
3:426

Others view that [this is] the musti hand [with] the little finger, extended.

Meaning:
3:426:

It is used to indicate the number one thousand etc.


No dependencies
Not included elsewhere
No associated images
Description:
3:427

Quick movements of the fingers [in this gesture]

Meaning:
3:427:

indicate oozing out. The previous movement is for calling a child or in scolding. It is [also used] to measure time and in haste by snapping [chotikā] with noise.


No dependencies
Not included elsewhere

Related Combinations