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It is of three kinds—(i) Agraja, when taking out a thorn or picking delicate flowers is suggested, (ii) Mukhaja, when flowers are picked from the stalks or when the brushes (for anointing collyrium to the eyes) are used, and (iii) Parsvaja, when pearls are pierced, etc.

In as much as the hand is held in front, near the mouth or on one side this Samdaṁṣa can be classified into three. The due Rasa and Bhavas are kept in mind.

(a. This represents plucking of flowers, wreathing of garlands, taking up blades of grass, leaves, hairs or thread, holding or pulling out an arrow or removing thorn.

(b) This represents taking off of a flower from the stem gently, the wick of a lemp, the stick of collyrium, filling up of vessels with something, saying “Fie upon you!" and wreath in diverse forms. (c) The left hand is used by slightly turning the tip to represent softness, abuse and envy. The com¬bination of two or more of these is used to represent Sacred thread, piercing holes in pearls etc. bow string, fineness, arrow, objects aimed at yogic practice, meditation and small quantity. The Sandamsa is used to indicate painting colouring the eyes, deliberation, drawing the Patra I.ekha and squeezing of the Laksarasa.

The Sandaṃśa (hand) according to the Sentiments and States, is of three kinds, viz. that [held] in front, that near the mouth and that on one side.

In representing the plucking of flowers, taking up grass, leaves, hairs or thread and holding or pulling out an arrow or thorn the Sandaṃśa should be held in one’s front. And to represent taking off a flower from its stem, the wick [of a lamp], [collyrium] stick, etc. filling up [any vessel with any thing], in saying ‘fie [upon you]’, in anger, this should be held near the mouth. To represent taking off the sacred thread, piercing a hole [in pearls and similar objects], bow-string, fineness, arrow, and objects aimed at, yoga, meditation and small quantity [two] such hands should be combined. This shown by the left hand held on one side and slightly turning its tip is used to represent softness, abuse and envy. It is used also to indicate painting, colouring one’s eyes, deliberation, stem, drawing Patralekhā and squeezing of lac-dye by women.

Agraja Saṁdaṁṡa hand should be done for holding and for extracting thorn etc. Mukhaja Saṁdaṁṡa hand is posed to express plucking a flower from its stalk, filling in the receptacle with chips for anointing the eye. Parsva Saṁdaṁṡa hand is used in colouring a drawing, in Yajnopavita (sacred-thread), in pressing the breast and in showing head.

generosity, sacrificial offerings, tumour, insect, apprehension, worship (arcana), the number five.

tooth, small bud, singing (samgila), gentle dances (lasya-natana), exegesis (tika), jinana-mudra, scales, flaw in a tooth, sacred thread (yajnopavita), line, examining, painting pictures (citra lekhana), truth, saying “No!”, saying “A little”, moment, listening, testing metals etc. on the touchstone (nikasa), shining white, taking aim, nail, sprout, gunja seed, the number eight, fire-fly, poison, blades of grass, red ants, mosquito, eclipse, col¬lecting pearls, bug, fly, garland, down, pointing (sucana), solitude, touching, Veda, snow, speaking, slipping, cutting off, a wound brow-spot, collyrium, Vidyadhara caste, white colour, slowness

It is used to denote the belly, presentation of an offering to deities, wound, a worm, great fear, worship, and the number five.

Saṁdaṁṡa hasta is used to denote the following: stomach, generosity, sacrificial offerings, tumour, insect, apprehension, great fear or fear of death, worship, and number five. any

Saṁdaṁṡa hasta is used to denote the following: tooth, small bud, singing, lāsya dance, brief explanation, jñānamudra, scales, flaw in a tooth or decaying tooth, yajnopavita, line, examining, painting pictures, truth, saying 'no', saying 'a little', moment, listening, testing metals like gold on the touchstone, whiteness, taking aim, nail, sprout, red and black seed, the number eight, red ant, poison, blade of grass, ant, mosquito, eclipse, garland of pearls, bug, fly, garland of flowers, romavali, pointing, solitude, touching, ou Vēda, snow, speaking, slipping, a wound, a wound made by the nail, gem or precious stone, beggar, tilakam, collyrium, shut vidyadhara race, goura colour, slowness.

This Hasta when done facing the front (Agra; a Sandaṁṡa Hasta) is used to depict removing thorns, plucking small flowers and rebuking rudely.

This Hasta when done facing the side (Parsvaja Sandaṁṡa Hasta) is used to depict rubbing the sacred thread, powdering things like camphor and taking betel leaf.

This Hasta when done towards the face (Mukhaja Sandaṁṡa Hasta) is used to depict painting, drawing the eyebrows, stringing beads and decorating the eyelashes.

It indicates meditation, gathering flowers, inadequacy, wringing, etc.

It can be used to depict making garlands, picking small flowers, sprinkling,

string, a strand of hair, holding a pebble and objects of the like, uprooting a thorn and other actions.

This is used in doubt, rebuff, separating the flower from the stalk...

The intricacy of a young shoot, writing a letter with a pencil, squeezing the red dye (obtained from the cochineal or a similar insect as well as from the resin of a particular tree), colouring the eyes, etc.

It is used along with the other hand to bore a hole in the like of a pearl, the use of an arrow, wiping the sacred thread, aim, meditation, string, etc.

The skilled use it with the left hand for reprimanding words, contempt, envy, a useless object, etc.

gold, bracelet, writing, emerald, the twice-born, the holy thread, clothes, a name, a song, a utterance,

a talkative person, a loquacious person, an expert, a line, dropsy

collyrium, seeing, an eye, the beautiful eye of a deer, the short hair hanging over the forehead, a tilaka mark, the parting of hair on the head, vermilion, ascertainment, a gem,

the meaning of ‘This is’, the meaning of ‘It takes away’, the meaning of ‘It sounds’, the sound of flute, the sound of cymbals, a flute, a pair of cymbals,

the meaning of ‘What is it?,’ a blunder, the meaning of ‘Whose is this?’, the meaning of ‘Where is it?’, the meaning of ‘From whom is there happiness?’, the meaning of ‘To whom what?’, accosting a person, gentle words,

the meaning of 'It is there’, a moneyed person, a current of water, a line of steps of the feet, good smell, a slice, flow of water, blank space,

dignity, distraction, truth, details, the root of a lotus, a coral, a wrapper, fickle,

an utterance, the painting of eyes, pointing out the residence of Indra and others, anguish rising from poverty, the agitated, the compassionate,

the forlorn, detailing of misery, entreaty, the helpless, a small quantity, a debate, a mass, the putting on of the red-dye,

the tearing of leaves, the pulling of hot things, the air, tongs made of iron, travelling, thinking,

the left side, a tiny thing, yoga exercises, the putting on of a holy thread, equals, the prescribed thing, the work to be done, a bow-string, a target, piercing,

a moment, the trice of time, a staff, a vice, virtue, a festival, a statement, known matter, the expressed, the submerged, a direction, courage,

a deed accomplished, white hair, vegetable, oil, ghee, grass, well-cooked curry, curd, milk, a pious man, a doctor,

the count of the meritorious, a learned person, the scholar in medicine, a beautiful thing, seeing, an ear, a cowherd, a barber,

a Kayastha, a garland-maker, a Vaisya, a Ksatriya, a dealer in conch-shells, a perfumer, a dealer in glass, a seller of conch objects,

adaivajna, a washerman, a weaver, an oilman, a Kapalika Saiva, a potter, a man of Koca caste, thief, a dancer,

the word jati (caste), an umbrella, an artisan, the caste called Musaii, a reverential person, a future event,

the Buddha incarnation, a sidelong glance, sleepless state—I would suggest Sandamsa in all these.

All the subjects from ‘the plucking of flowers’ to ‘faulty words’ are to be demonstrated by Sandamsa assuming the various forms.

the plucking of flowers, stringing together, the holding of grass or hair, taking to a bed of yarn and young leaves, pulling—in these agraja Sandamsa is applied by experts in dance.

diamond, the lifting of flowers, the wick of a lamp, filling up, small rods, censure, wrath, the phrase ‘Fie on you’ the black colour—in these mukhaja Sandamsa is prescribed.

a despicable thing, envy, condition, a condemned person, faulty words—in these parsva Sandamsa is provided. These are only examples; they are to be applied in other cases too.

it is an indication of gold.

that would mean bangles.

it means a piece of writing.

it is a picture of emerald.

a Brahmana is meant.

it means clothes and the six subjects beginning with ‘a name’.

it means a line.

it indicates the disease of dropsy.

it stands for a hole.

it is a sign of joy.

it means the acquisition of position.

it indicates binding.

it means collyrium; it means seeing.

it indicates an eye.

it indicates the beautiful eyes of a deer.

it is a tilaka mark.

it indicates the short hair hanging down over the forehead.

it is vermilion.

it means a gem.

it means ascertainment and means ‘Yes, it is.’

it says, ‘It has been taken away’.

it means ‘It is giving sound.’

it means flute playing.

it means the sound of cymbals. It also speaks of the cymbals, and of a flute.

all the subjects from ‘What is it?' to ‘gentle words’ can be meant.

it says ‘It is there’.

it indicates a moneyed man.

a current of water is indicated.

it means a line of footprints.

it is good smell that is meant.

it suggests slices.

it means the flow of water.

it means blank space. It also means dignity as well as a distracted state of mind.

it speaks of truth.

it means detailed description.

it means the root of a lotus.

it denotes a coral bead.

it means a wrapper on the body.

it means a fickle thing.

it means an utterance.

the hands signify the Buddha incarnation of Visnu.

it is a sidelong glance. This is the view of Subharikara Kavi.

it suggests a sleepless state.

indicate poverty.