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Haṁsásya

Asaṃyuta Hasta - Single Hand Gestures

Descriptions and Meanings

200 BCE - 200 CE
The Natysasastra (NS) - Adya Rangacharya
Description:
9

The tips of the thumb and the second and middle fingers touch each other; the other two are apart from each other and raised.

Meaning:
9:

This mudra suggests the sense of ‘small, little, delicate’, etc.


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Mentioned by:
Mukula
200 BCE - 200 CE
The Natya Sastra (NS) - Board of Scholars
Description:
9:103

Keeping the forefinger middle finger and the thumb without any intervening space. The remaining fingers are to be kept stretched. This is Hamsāsya.

Meaning:
9:104:

With the end throbbing slightly this hand should be used to indicate exquisitely fine, small loose and light things. Exit and Softness too can be displayed.


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Mentioned by:
Mukula
200 BCE - 200 CE
The Natyasastra, Volume I (NS) - Dr. Manomohan Ghosh
Description:
9:103

Haṃsāsya (swan-beak)—the forefinger, middle finger and the thumb close to one another and the remaining fingers stretched.

Meaning:
9:104:

It with the slightly throbbing end is used specially to indicate fine, small, loose, lightness, exit, and softness.


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Mentioned by:
Mukula
400 CE - 500 CE
Visnudharmottarapurana (VDP) - Dr. Priyabala Shah
Description:
26:45-46

When the tarjani (forefinger) madhyama and the thumb without any interspace between them are placed like Tretagni (three sacrificial fires) and the remaining fingers are outspread, the hand becomes Haṁsa-Vaktra.

Meaning:
26:45-46:

It should be used to show slimness, lightness, fragility and softness.


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1000 CE - 1100 CE
Hastalakṣaṇadīpikā (HL) - Sudha E. K.
Description:
1

If the tips of the forefinger, the thumb and the middle finger are joined with some movement and the ring finger and the little finger are stretched out apart from each other, it is Hamsasyahasta.

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Description:
1

…Out of these, the first eight are samyutahastas

Meaning:
1:

Glance, softness, dust, white, blue, red, mercy / pity / compassion, group of hair (as a line),


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Description:
1

… and the rest four are asamyutahastas.

Meaning:
1:

beginning of rain, hair, line, the three folds of the abdomen are the meanings shown by this hasta.


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1100 CE - 1200 CE
The Mirror of Gesture (AD) - Ananda Coomaraswamy
Description:
No verse annotation

Haṁsásya (swan-face): the middle and following fingers are separated and extended, the forefinger and thumb are joined.

Meaning:
No verse annotation:

tying the marriage thread, initiation, certainty, hor¬ripilation, painting (citra-samlekhana), gad-fly, drop of water, raising the wick of a lamp, rubbing (metal on a touchstone), examining things, drawing lines, carrying garlands, signifying “Soham” (That am I), metaphor (rupaka), saying “No!”, indicating things to be examined by rubbing, accomplishment of a task.


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Mentioned by:
Bhramara
Saṁdaṁṡa
Description:
No verse annotation

According to another book: the tips of the forefinger, middle finger and thumb are joined, the rest extended. This hand is derived from Daksina-murti (Siva), when he was teaching the Tattva system to the sages at the foot of the Nyagrodha tree. Its sage is Sukha, its colour white, its race mixed, its presiding deity Caturanana (Brahma).

Meaning:
No verse annotation:

instructing in wisdom, ritual (puja), demonstration of a thesis (nirnaya), offering sesamum, speaking, reading, singing, meditation (dhyana), demon¬strating bhava, applying wax, horripilation, pearl, gem, sound of the flute, gathering together (samyutta), smell, own self, drop of water, taking aim, seal-ring, kissing, Brahmana caste, white colour.


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Mentioned by:
Bhramara
Saṁdaṁṡa
1100 CE - 1200 CE
Nandikeśvara's Abhinaya Darpaṇam, 3rd edition (AD) - Dr. Manomohan Ghosh
Description:
1:154-155

Haṃsāsya (swan-beak). If the thumb and the fore¬finger touch each other and the remaining fingers are outstretched the hand is called Haṃsāsya.

Meaning:
1:155-157:

Blessing or festival, the tying with thread, ascertaining instruction, horripilation, pearls, putting forward the wick of a lamp, a touchstone, a jasmine, a painting, the act of paint¬ing, and a dyke impeding a current.


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1100 CE - 1200 CE
Abhinaya Darpanam of Nandikeswara (AD) - P.S.R. Apparao
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Description:
7:397-399

When the three fingers i.e. middle, ring and little fingers are separated and extended, the tips of the forefinger and thumb joined, then it becomes Hamsásya hasta (hamsa âsya or vaktra = swan face).

Meaning:
7:397-399:

Haṁsásya hasta is used to denote the following: benediction, tving a thread or tying Mangalasūtra, initiation, certainty, horripilation, pearl etc., extending the wick of a lamp, rubbing on touchstone, jasmin flower etc., picture, painting, gad fly, dam or drop of water


7:400-402:

Additional usages in Nida’s version: carrying garlands, signifying Sõham', metaphor, saying 'no', and accomplishment of a task.


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Mentioned by:
Bhramara
Description:
7:403-408

When the tips of the forefinger, the middle finger and the thumb are joined and the rest are extended, it becomes Haṁsásya hasta.

Meaning:
7:403-408:

Haṁsásya hasta is used to denote the following: instruction in wisdom, ritual or worship, decision, offering sesame, speaking, reading, singing, meditation, interpreting a bhāva, applying red paint etc., horripilation, pearl, playing on flute (when two Haṁsāsya hastas are joined), smell, ownself, drop of water, taking aim, seal-ring, brahmin race and white colour.


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Mentioned by:
Bhramara
1126 CE - 1234 CE
The Nṛtyavinōda of Mānasôllāsa, A Study (NVoM) - Hema Govindarajan
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Description:
4:1188-1190

Haṁsamukha The little finger of the Mukula Hasta is raised upwards and the ring finger is bent.

Meaning:
4:1188-1190:

This Hasta when moved slightly is used to depict smoothness, smallness and softness. To depict the act of smelling flowers the Hasta is kept steady,


Based upon:

Mukula - 4:1186-1188

Not included elsewhere
1138 CE - 1400 CE
Śri Pārśvadeva's Saṅgítasamayasāra (SS) - Dr. M. Vijayalakshmi
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Description:
7:56

Hansāsya: If the last two fingers are kept spread aloof it is hansāsya.

Meaning:
7:56:

It is used to indicate the shape of a lentil dough, nuts, and oil massage, etc.


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1200 CE - 1300 CE
Jāyasenāpativiracita Nṛttaratnāvalī, Volume I (NrtN) - Pappu Venugopala Rao and Yashoda Thakore
Description:
2:135

If the thumb, fore and middle fingers come together such that the ends join and the other two fingers are separated and stretched, it is haṁsāsya.

Meaning:
2:136:

It is used in its original form to show slenderness, softness, littleness, crushing, throwing and those objects with slight movement.


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Mentioned by:
Kāngula (Lāngūla)
1350 CE - 1550 CE
Śrihastamuktāvali (HM) - Maheswar Neog
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Description:
:33

When the middle finger, fore-finger and thumb combine to the shape of the beak of a goose, and the other two fingers are spread out, it is Haṁsamukha

Meaning:
:214:

The lower lip, kissing, drinking, ambrosia, plastering, sandal paste, Agar wood, musk,


:215:

camphor, saffron, milk, butter, clarified butter, oil, the red dye, an odour, sniffing, breathing,


:216:

different kinds of pulverised things, dust, bitter taste, granthiparna odour, the meaning of ‘There is’, a campaka flower, a malati flower, a mallika flower,


:217:

vermilion, collyrium, looking, hurry, an offering to a crow, ears, the beak of a cuckoo or pigeon,


:218:

a goose, a peacock, Garuda, the sarika bird, the cuckoo, the parrot, the cakravaka bird, the cakora bird, the khanjana bird, the sarasa bird,


:219:

the kalahamsa bird, the rajahamsa, other birds, an ant, a gadfly, an insect, a mosquito,


:220:

a rat, a scorpion, the fire, itching, a child, a light thing, the heart of a tree, ornament, pleasure, coughing,


:221:

the husk of paddy, a thing made of lac, the dregs of a liquid, cinnabar, yellow arsenic, other general dyes,


:222:

a smooth thing, a soft thing, a sweet thing, pulsation, a small quantity, a loose thing, sentiment, the main substance of a subject, the pith of a matter, the beak of a goose, a dusty thing, words,


:223:

a festival, the mind, the heart, life and honey—in all these subjects is Hamsasya Pasta prescribed by me. Detailed description of the Subjects of Hamsasya Hasta


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Description:
:224

When the Hamsasya hasta is held, with the palm facing upward, near the mouth,

Meaning:
:224:

it indicates the lower lip. It also means kissing.


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Description:
:224

If Hamsasya is shaken near the mouth,

Meaning:
:224:

it suggests drinking.


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Description:
:225

When the hasta is held near the mouth,

Meaning:
:225:

it means ambrosia.


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Description:
:225

If the hasta is held near the trunk of the body,

Meaning:
:225:

it means besmearing of sandal, etc. It also indicates the subjects beginning with ‘sandal paste’ and ending with ‘saffron’.


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Description:
:226

If after demonstrating Hamsasya water is indicated,

Meaning:
:226:

Subhaiikara Kavi calls that milk.


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Description:
:227

If Hamsasya, facing upward, is rotated in the front,

Meaning:
:227:

it stands for butter, clarified butter, oil or the red dye.


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Description:
:228

If Hamsasya is held near the nose,

Meaning:
:228:

it indicates a scent, the nose, breathing.


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Description:
:228

If Hamsasya, facing downward, is moved as in rubbing,

Meaning:
:228:

it would mean a powder of some sort or some dust.


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Description:
:229

If Hamsasya is taken near the cheeks in a glad mood with the eyes shut and the whole face turned awry,

Meaning:
:229:

it would mean bitterness.


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Description:
:230

If Hamsasya, facing downward, touches the two sides,

Meaning:
:230:

it means granthiparna.


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Description:
:230

If Hamsasya is hung in the front,

Meaning:
:230:

it means, 'There is’.


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Description:
:231

If the forefinger of Hamsasya is held up with the thumb sticking to the base of the forefinger and the other fingers are closed in a fist,

Meaning:
:231:

it would be a campaka or Malati or mallika flower.


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Description:
:232

If Hamsasya is moved to the parting of hair of the head,

Meaning:
:232:

it indicates vermilion.


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Description:
:232

If Hamsasya is taken near the end of an eye,

Meaning:
:232:

it would mean looking or collyrium.


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Description:
:232

If Hamsasya is sharply moved to the front,

Meaning:
:232:

 that indicates hurry. 


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Description:
:232

If Hamsasya is moved to touch the ground on the left of one’s body, 

Meaning:
:232:

it would mean offering to the crows (kakabalf).


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Description:
:234

If the left Hamsasya is placed over the heart,

Meaning:
:234:

it means the mind.


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Description:
:234

If the left or right Hamsasya touches the heart,

Meaning:
:234:

the dance pundits would take it to mean the heart or life.


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Description:
:235

If Hamsasya, facing downward, is sportingly taken upward from a distance,

Meaning:
:235:

it means honey.


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Description:
:235

If otherwise Hamsasya, facing upward, is slowly shaken,

Meaning:
:235:

it also is honey.


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No associated description
:233:

The subjects from ‘an ear’ to ‘a festival’ are indicated by the demonstration of the bhava, rasa, akara (shape) and sthana (proper place) appropriate to these subjects.

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1600 CE - 1650 CE
Saṅgītanārāyaṇa (SN) - Mandakranta Bose
Description:
3:406

When the forefinger is joined with the thumb and the middle finger like the three [sacrificial fires] and the ring finger and the little finger are separated and raised, it is known as haṁsāsya.

No associated meanings
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Description:
3:407

When the tips of three fingers rub each other,

Meaning:
3:407:

it indicates [something] thrown out, [or]


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Description:
3:407

soft and smooth with the tips rubbing in a circular [motion] and outwards,

Meaning:
3:407:

it indicates [something] loose, little, and light.


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Description:
3:407

[The hand should be used] in the appropriate manner

Meaning:
3:407:

to indicate [collecting] pearls or picking flowers.


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Related Combinations

1000 CE - 1100 CE
Hastalakṣaṇadīpikā (HL) - Sudha E. K.
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Contents:
2

the dawn should be shown by Hamsasya and Pataka.

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Contents:
2

The lower lip - Vardhamanaka and Hamsasya

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Contents:
2

Platform - Hamsasya,

1100 CE - 1200 CE
Nandikeśvara's Abhinaya Darpaṇam, 3rd edition (AD) - Dr. Manomohan Ghosh
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Contents:
1:205

Brahman: Brahman is to hold Catura with his left hand, Hamsasya with his right one.

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Contents:
1:236-237

Mother-in-law; If Hamsasya is held by the right hand at the throat, and Sandamsa is held by the right one, and the left hand is afterwards rubbed round the belly, the result will be the mother-in-law hands.

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Contents:
:228-229

Vaisya: If the Hamsasya is held by the left hand and Katakamukha by the right, the result will be the Vaisya hands.

1100 CE - 1200 CE
Abhinaya Darpanam of Nandikeswara (AD) - P.S.R. Apparao
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Contents:
10:596

If Catura and Hamsasya hastas are held by left and right hands respectively, it is Brahma hasta.

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Contents:
10

Saraswati hasta: Left hand Hamsasya hasta and right hand Sucihasta