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Alapallava (Utpalapadma)

Asaṃyuta Hasta - Single Hand Gestures

Descriptions and Meanings

200 BCE - 200 CE
The Natysasastra (NS) - Adya Rangacharya
Description:
9

Alapallava: (In the list it is mentioned as Utpalapadma, but while explaining, it is called Alapallava). In this mudra all the fingers are raised and stretched backwards.

Meaning:
9:

This is to suggest pro¬hibiting or asking ‘who are you’?, etc.


No dependencies
Not included elsewhere
200 BCE - 200 CE
The Natya Sastra (NS) - Board of Scholars
Description:
9:90

The fingers are separated from one another and are kept turned towards the palm in a circular way. This is called Alapadmaka or Alapallava.

Meaning:
9:91:

It is employed by artistes to indicate prevention, a woman’s boasting about herself and such senses as “who are you?" “It is not”, “Absurd” etc.


200 BCE - 200 CE
The Natyasastra, Volume I (NS) - Dr. Manomohan Ghosh
Description:
9:90

Alapallava (Alapadmaka)—all fingers turned towards the palm, standing on its side and separated from one another.

Meaning:
9:91:

It is to be used for indicating prevention, words like “Of whom are you,” “It is not,” “nonsense” and a woman’s allusion to herself.


1100 CE - 1200 CE
The Mirror of Gesture (AD) - Ananda Coomaraswamy
No associated images
Description:
No verse annotation

According to another book: it is the Ala-pallava hand when there is turning. It originates from Sri Krishna, when he was stealing butter and milk. Its sage is Vasanta, its race Gandharva, its colour dusky, its patron deity the Sun.

Meaning:
No verse annotation:

fresh ghi, yearning for the beloved, head, sweetmeat, full-blown lotus, cluster of flowers, crown, ball, praises, beauty of form, dancing (nartana), fort, palace, braided hair, moon-pavilion, sweetness, saying “Sadhu”, palmyra fruit.


No dependencies
Not included elsewhere
1100 CE - 1200 CE
Abhinaya Darpanam of Nandikeswara (AD) - P.S.R. Apparao
Description:
7:376-379

When the hand is in vyāvịtta (i.e. fingers separated and bent slightly sideways) position, it becomes Alapallava hasta (Ala-pallava = shaking twig).

Meaning:
7:376-379:

Alapallava hasta is used to denote the following: fresh butter or ghee, yearning for the beloved, head; sweet stuff, full-blown lotus, cluster of flowers, crown, circle or roundness, praise, beauty of form, dancing, fort, palace, braided hair, moon pavilion, sweetness, saying 'sādhu', and palmyra fruit.


No dependencies
Mentioned by:
Avahittha
Ulbaṇa
Lālita
1200 CE - 1300 CE
Jāyasenāpativiracita Nṛttaratnāvalī, Volume I (NrtN) - Pappu Venugopala Rao and Yashoda Thakore
Description:
2:168

With the little finger taking the lead, the fingers are curled inwards, one following the other, forming the alapallava hasta.

Meaning:
2:169:

It is used in questioning, “whom do you belong to”, “does not exist”, “don’t”, etc, meaningless talk and boasting of women. Since it is like the shaking lotus, it is also called alapadma.


1500 CE - 1600 CE
Nartananirnaya of Sri Pandrika Vitthala Vol. 3 (NN) - R. Sathyanarayana
Description:
7:94

If all fingers [and thumb] are separate and palm turned sideways, it is alapallava.

No associated meanings
1600 CE - 1650 CE
Saṅgītanārāyaṇa (SN) - Mandakranta Bose
Description:
3:386-387

It is known as alapallava when the fingers are moved side-ways out of the palm in the vyavartita or parivartita karana movement of the hands. This is also known as alapadma in a karana.

Meaning:
3:386-387:

It is used to express 'Who do you belong to?' 'This is not here' or in negation. It is used by women to express only what is despicable, inappropriate and false.


No dependencies
Mentioned by:
Alapallava (Alapadmaka)

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