In the above mudra if the thumb and the little finger are straightened up, it is Mṛgašīrsha.
It suggests‘here’, ‘now’ and also used to act wiping of perspiration.
All the fingers are kept permitting down-wards except the thumb and the little finger which are to be kept raised up. This is called Mṛgašīrṣa.
This hand is moved in order to represent “here” “now” “It is present” “today” “it is possible” and similar senses. Splendour throwing of dice, removal of perspiration and the affected displeasure of women against lovers etc. are also represented by this hand
Mṛgaśīrṣa (deer-head)—the Sarpaśiras hand with all its fingers pointing downwards, but the thumb and the little finger raised up.
It is moved to represent here, now, “It is,” to-day, able, shaking (ullasana), throw of dice, wiping off perspiration and pretended anger.
When all the fingers are bent down together and the little finger (Kaniṣṭhikā) and the thumb erect, the hand becomes Mṛgašīrsha.
It should be made to indicate piercing with a needle, making a hole and in brandishing the 'Sakti' weapon.
If both the middle finger and the ring finger and slightly bent and the tip of the thumb touches the middle of the middle finger, the hasta is Mrgasirsa.
Only two meanings are shown by Mrgasirsa and that are samyutahastas. They are deer and The Supreme Being.
Mṛgašīrsha (deer-head): in the above hand, the thumb and little finger are extended.
women, cheek, traditional manners (krama-maryada), fear, discussion, costume of an actor (naipalhya), place of residence, tete-a-tete, drawing three lines on the brow, patterns on the ground, massage of the feet, combining, house, holding an umbrella, stair, placing the feet, calling the beloved, roaming.
According to another book: the thumb and little finger are raised. It springs from Gauri, who used the Mṛgašīrsha hand to draw three lines on her forehead when practising tapas for the sake of Siva. Its race is Rsi, its sage is Markandeya, its colour white, its presiding deity Mahesvara.
wall, deliberation, opportunity, place of residence, Padmini, Sankhini or Hastini woman, slowness, applying sandal paste etc., gestures (abhinaya) of women, screen, stair, self-manifestation, order, having three lines drawn on the brow, consideration (vitarka), deer-face, indi¬cating one’s self, the body, Rsi caste, white colour.
Mṛgašīrṣa (deer-head): When the thumb and the little finger of the Sarpaṡīrṣha hand are extended it becomes Mṛgašīrṣa.
It is used to denote women, check, awheel, limit, fear, quarrel, costume or dress, calling, tripundraka mark on the forehead, a deer’s head, a lute, massage of the feet, getting of one’s all, the female-organ, holding an umbrella, stepping, and calling the beloved.
If the little finger and the thumb of the Sarpaṡīrsha hasta are extended, it becomes Mṛgašīrsha hasta (mrga-širsha = deer head).
Mṛgašīrsha hasta is used to denote the following: matters pertaining to women, cheek, cakra, courtesy or traditinal manners, fear, arguments, costume and make-up, welcoming, place of residence, putting three lines on the forehead with vibhūti, face of a deer or tete-a-tete, drawing patterns on the floor, massage of the feet, grouping, house, holding an umbrella, stairs, graceful movement of the feet, inviting the beloved, roaming.
When the thumb of the Çatura hasta is raised, it becomes Mṛgašīrsha hasta.
Mṛgašīrsha hasta is used to denote the following: wall, deliberation, appropriate time or opportunity, place of residence, holding an umbrella, women of Padmini-Sainkhini and Hastini types, low voice or slowness, applying sandal paste etc., gestures of women, screen, stairs, manifestation of a divine personality, order, drawing three lines on the forehead, thinking over, deer face, indicating oneself, the body, to beckon with signs, sshi race, white colour.
Mṛgaṡirshā: The little finger and the thumb of the Sarpasīrṣa Hasta are extended.
When facing downwards this Hasta is used to depict wiping off sweat, beckoning and shading the eyes from the sun, When facing upwards it is used to depict colouring the face and throwing the dice,
Mrgaśirsaka When thumb and little finger are stretched upward. it is mrgaśirsaka.
It shows joy, the dice, or perspiration drying action etc.
When the thumb of the sarpaṡirsha hasta is raised, it becomes Mṛgašīrṣaka.
It is used to play dice in a game of gamble, augmenting energy, wiping sweat and in words like, ‘here’, ’now’, ‘it is here’, etc.
If the thumb and the small finger are kept high and the intervening three fingers are kept close together and bent down, it becomes Mrgasirsa according to the poet.
The blessing ‘Live long’, a short thing, blessings, a thief, the taking of refuge, an owl, a tooth, the holy, a face,
a road, plastering, curd, drinking, sleeping, breasts, the meaning of ‘Save me’, concealed money, the secret, the mouth of an elephant,
the study of the Vedas, the Vedas, a thing to be given, the meaning of an already made statement, the playing on a Hute, etc., a young man. the Samaveda, the Yajurveda.
the Atharvaveda, travelling, praise, a salute, a guru, the expression ‘This thing is there at present’, the sponging of sweat,
a lotus, a leaf, a flower bud, the muzzle of a deer, etc., the month of Vaisdkha, the beautiful, protection, prayer, rule,
a looking-glass, the autumnal moon, moon-light, the handsome, a declaration, a white thing, union, the fickle, a race,
a child, a follower, a forsaken thing, meditation, a like thing, a padmini (physically ideal) woman, a senior lady, the muzzle of a horse, etc.,
a holy thread, a mouthful (of water), water, plastering of the earth with mud, the vajra, the firm, the present moment—in thesje Mrgasirsa hasta is prescribed. Detailed Description of the Subjects of Mrgasirsa Hasta
From ‘a salute’ to ‘plastering’ all the subjects are articulated by operating Mrgasirsa in the proper place, in the proper shape, in the proper sentiment and as it looks beautiful.
If Mrgasirsa, facing down, is shaken on the left, the expert says,
it is the blessing ‘Live long’, or it is a short thing.
If Mrgasirsa, facing up, is lowered at the front,
it is blessings.
If the left Mrgasirsa is placed at the front and the right Mrgasirsa is put below it,
it speaks of a thief. It also means refuge.
If the left Mrgasirsa is placed below the right Mrgasirsa,
it indicates an owl.
If Mrgasirsa is moved near the mouth,
it speaks of the teeth. It speaks of the holy. It indicates a face.
If the tip of Mrgasirsa is moved to the sides or forward,
it means a road.
If Mrgasirsa makes lines on the ground,
it is plastering of the ground.
If the right Mrgasirsa, facing up, is moved up and down in circles,
it indicates curd.
If Mrgasirsa, facing up, is moved near the mouth,
it means drinking.
If the two Mrgasirsas are moved near the ear,
it is sleeping.
If the two Mrgasirsas are placed gracefully over the heart,
they mean the breasts.
If the two Mrgasirsas or even if one of them is moved up,
it means the entreaty, “Save me”.
If the right Mrgasirsa is placed over the left Mrgasirsa,
it means a secret thing, or concealed money.
If Mrgasirsa, facing down, is placed near the mouth,
it means the face of an elephant.
If Mrgasirsa is moved from the front to the sides,
it indicates the study of the Vedas. It also means the Vedas.
if Mrgasirsa is moved down at the front,
it means a thing to be given; it also refers to the meaning of a statement already made.
If Mrgasirsa is moved near the mouth,
it means the playing of a flute, etc.,
if the hand is moved in a circle
a young man.
If both the Mrgasirsas are placed at the front of the mouth,
it means the Samaveda.
If they are placed on the heart,
it means the Yajurveda.
If they are moved to the side,
it is the Atharva veda.
If the two Mrgasirsas are moved the front and back
it means travelling.
If the right Mrgasirsa, facing up, is shown at the front,
it stands for praise.
If the ring-finger and middle finger of Mrgasirsa are closed on the palm,
then it stands for the vajra or for the firm.
If Mrgasirsa is taken round and round at the front,
it refers to the present moment.
When the forefinger of khadgasya is raised up, it is mṛgašīrṣa.
When the thumb and the little finger of the sarpasira hand are raised, then it is known as mrgasirsa.
Turned downwards,
it indicates 'here’, 'now' and 'today.'
It is turned upwards
to indicate throwing the dice.
[It is used] to [show] touching the perspiration on the cheek and in pulling the girdle.
Siva should be shown by both Mrgasirsa and Hamsapaksa
Siva : Siva is to hold Mrgasirsa with his left hand and Tripataka with the right one.
Krsna: If the Mrgaslrsa hands facing each other are held near the face, the result will be Krsna’s hands.
Husband and Wife: If Sikhara is held by the left hand and the Mrgasirsa by the right one, the result will be the hands of a married couple.
Husband's Sister: If at the end of the preceding hand (Husband's Brother) the right hand shows the gesture indicating a woman (i.e., the Mrgasirsa), the result will be the hands of the husband’s sister.
Daughter-in-law: If after showing the son’s hands one shows with the right hand the gesture expressing a woman (i. e., Mrgasirsa), then the result will be the daughter-in-law’s hands.
Co-wife: If one shows the gesture for a woman (i. e., Mrgasirsa) with both the hands after showing the Pasa hand, then the co-wife’s hands are made.
Sudra: If Sikhara is held by the left hand and the the Mrgasirsa by the right one, the result will be the Sudra hands.
When Mrgasirsha and Tripataka hastas are held by left and right hands respectively, it is Sambhu hasta (Siva = Sambhu = Sadasiva = Eswara = Candrasekhara = Arthanariswara).