In the preceding mudra, if the tips of the thumb and the second finger touch, it is Kapittha.
This mudra suggests weapons.
If in the gesture named Ṡikhara the forefinger is kept curved and pressed down by (? two) thumbs, it is then remembered as Kapitta (Wood apple).
Truthful and beneficient acts are to be represented by this Kapittha gesture. The weapons such as sword, bow, discuss, tomara, lance, club, Sakti, thunderbolt, arrows etc. are also indicated by the gesture.
Kapittha (elephant-apple)—the forefinger of the Śikhara hand to be bent and pressed by the thumb.
It is to represent weapons such as sword, bow, discus, javelin (tomara), spear (kunta), mace, spike (śakti), thunderbolt and arrows, true and wholesome deeds.
When the thumb is inside the Muṣṭi hand, it is called Kapittha.
That type of acting should be done suggesting the holding of a disc or an arrow.
When the ring finger and the little finger are bent and the thumb is placed on the ring finger, the hasta is Kapittha.
Net, doubt, the tail of a peacock, Srl, to touch, to retreat, outside, back, to descend, to put step - These are the samyuta Kapitthas. There are no asamyutahastas.
Kapittha (elephant-apple): the forefinger of the Sikhara hand is bent over the top of the thumb.
Laksmi, Sarasvati, winding, holding cymbals, milking cows, collyrium, holding flowers at the time of dalliance, grasping the end of the robe (celancala), veiling the head with the ancala, offering incense or lights, etc.
According to another book: same definition. Long ago when the Churning of the Ocean was done, Vishnu used this hand to pull upon Mt. Mandara. Its sage is Narada, its race Rsi, its colour white, its patron deity Padmagarbha (Vishnu).
churning, Laksmi, offering incense or lights, etc., spreading cow-ries, holding elephant goad or vajra, or a. sling, or cymbals, show¬ing a dance (natya), holding a lotus of dalliance (lilabja dharana), counting Sarasvati’s rosary, pounding barley etc., seizing the end of the robe (celancala), Rsi caste, white colour.
Kapittha (elephant-apple): If in the Ṡikhara hand the fore-finger is bent over the top of the thumb, it is called Kapittha.
It is used to denote Laksmi, Sarasvati, holding cymbals, milking cows, collyrium, holding flowers at the time of dalliance, grasping the end of robes, gathering of cloth and offering incense or light.
When the forefinger of the Ṡikhara hasta is bent over the top of the thumb, it becomes Kapittha hasta (Kapittha fruit = wood apple).
Kapittha hasta is used to denote the following: Lakshmi, Saraswati, winding, holding cymbals, milking a cow, collyrium, holding flowers gracefully, grasping the end of a robe etc., covering the head with a veil and offering incense and light (to gods).
When the tips of the thumb and the forefinger of Ṡikhara hasta meet, it becomes Kapittha hasta.
Kapittha hasta is used to denote the following: churning, Lakshmi, offering incense and light, throwing cowries, holding ankuša and vajra, holding a sling, holding cymhar presenting nâtya, holding a lotus gracefully, Saraswari holding a rosary, pounding yāvaka seeds etc., gathering the end of a robe, rshi race, and goura varna.
Kapittha: The forefinger of the Ṡkhara Hasta is bent and pressed by the thumb. It also projects outside a little.
This Hasta is used to depict affirmation, releasing s disc (wheel) and discharging weapons after meditating (by placing on the forehead).
Kapittha : If the forefinger is lifted up and bent with the thumb pressing on it in śikhara hasta it is kapittha.
It is applicable to the act of remembering, taking the cakra, (a wheel shaped weapon of Visnu) and wringing.
When the middle, ring and little fingers of kaṭakāmukha hand are curled into the centre of the palm, it is kapittha hasta
It is used to represent an iron rod, sword, mace, the sharp circular miss; weapon (discus), brick, arrow and a spear. It is also appropriate to show breaking with a sharp knife, truth, suitability (belonging to the way) and well being.
If the fore-finger in the Sikhara hasta is bent, and its tip is pressed by the thumb, we get Kapittha hasta.
An elephant’s goad, a fishing hook, a discus, a hero, a baric art, a great war, truth, falsehood, the sky, a rope, a pillar, chains,
the biting of teeth, the root of a tree, ordinal-} gr.iss, a mace, a toniara weapon, a sword, the vajra weapon, the sakti weapon, a bow,
the string of a bow, the taking up of other arms, killing, money, a sdstra, a clean thing, a Veda, the monkey at the top of a flag,
a hand, a firm mind, enthusiasm, pride, glee, taking up, a light, the languid, a fish, an alligator, a tortoise, the fickle eye of a fish—in these is to be applied Kapittba. Detailed Description of the Subjects of Kapittha Hasta
All the hastas from ‘a rope or noose’ to ‘the fickle eyes of a fish' are to be exhibited by putting Kapittha in the proper shape, in the proper spirit and in the proper place in each case.
By throwing Kapittba forward with jerks,
one speaks of a fishing hook.
If Kapittba, facing down, is drawn from the front of the body,
it is an elephant’s goad.
By constantly rotating Kapittba,
a discus is suggested.
If the left Kapittha is pushed forward while the right Kapittba is raised obliquely up on the right,
it speaks of a hero. It means a barbed dart. It indicates a great war.
If Kapittba is lowered at the front,
it is an indication of truth.
If Kapittha is demonstrated on the left,
it is untruth.
If Kapittha is taken from the left to the right-hand side of the forehead,
it suggests the sky.
If the forefinger is joined to the tip of the thumb, it is kapittha.
According to Kohala when the forefinger of sikhara is bent touching the thumb it is known as kapittha.
In Sarigitakalpataru, however, It is said that if the forefinger touches the tip of the thumb [it becomes kapittha].
It is used in showing weapons such as arrow, bow, discus, spears of tomara and kunta variety, mace, javelin, thunderbolt, and shield, either real or imagined. It also indicates axe, turya and a bhalla [arrowhead]. Some say that either sikhara or kapittha can be used [i.e., interchange¬ably].
Sarasvati: Sarasvati is to hold Suci with her right hand and Kapittha with the left one raised on a level with the shoulders.
Laksmi; Laksmi is to hold Kapittha bands neat about her shoulders.
Ganesa: Ganesa is to hold Kapittha hands placed on his thighs.
Ramacandra: If Kapittha is held by the right hand and Sikhara by the left one, the result will be Ramacandra’s hands.
The Sun: If Alapadma and Kapittha are shown by two hands near about the throat, the Sun’s hands arc formed.
If both hands hold Kapittha hastas near the respective shoulders, it becomes Lakshmi hasta
Alternately - two Kapittha hastas held above the shoulders.
When two Kapittha hastas are held in front or on the chest, then it is Vighneswara hasta