Pārśvamaṇḍali
Nṛttahastas - Dance hands (single and combined)
Descriptions and Meanings
9
The same with the movement made on one side is called Pārśvamaṇḍali.
Not included elsewhere
9
Pārśvamaṇḍalī—the same movement made on one side.
Not included elsewhere
26:87
When the two arms are placed on the sides they are called Pārśva-maṇḍala.
Not included elsewhere
4:1261-1262
Pārśvamaṇḍalina: The hands which are in the Arāla Hasta are moved round (in Vyavrtta and Parivartita) at the sides. (yes, it's the same as Urdhvamaṇḍalina?)
2:266-267
When those (above) hastas are placed at the sides, the hastas facing each other, these are called pārśvamaṇḍali hastas. To make the name appropriate to the movement, other scholars have directed that aviddha arms must rotate on their respective sides below the shoulder level. These hastas are also called kaksavartinika.
Not included elsewhere
:885
If one (right) Alapadma is moved round the right breast, and the left Arala is taken round the left breast, it is Parsvardhamandalihasta
7:122
The selfsame, displayed at the sides are declared to be pārśvamaṇḍalin.
3:510-511
When the urdhvamandalina hands come down to the sides in patāka facing each other, it is known as pārśvamaṇḍalina. Some say that the arms are moved around in dviddha. This is known as pārśvamaṇḍalina and also as kaksdvartanika.
