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Sculpted Columns

Little did I know that this was just the start of taking an obsessive number of pictures of sculpted columns. There is almost no column left undecorated in Vijayanagara, and a wonderfully huge number of them feature what can only be people dancing. I was frugal at this point in the trip, because I didn't know what to pay attention to, and my camera was frustratingly old. In days 2 and 3, I got a lot more ambitious with my new camera and tons of memory!

Dancers have a number of poses, but Virupaksha seemed to have a lot of the widened aramundi pose. The knees are bent, and in Virupaksha the feet are 6" to a 12" apart.

 

Notice how similar and yet unique each of these are.  The one on the left is probably a classical dancer - she's got a fancy short skirt with pleating on it.  She may be holding a small hand drum, but this is definitely a dance thing.  She's got armlets, a hair bun (maybe dreadlocks).  The one in the middle is a much rougher carving.  The limbs aren't quite as realistic and the detail is fuzzy.  My belief is that this is a man.  You don't often see ladies without significant boobs in Indian sculpture.  The right most may very well be a tribal person.  That particular leaf-like skirt shape is usually affliated with tribal people.

One thing worth noting from a dance perspective - see how very different the torso positions look.  Not one of them is dead center.  I would say that the right most is doing a deliberate chest slide, while the one in the middle might just be a little off-center.  The one on the left seems in control, and very grounded.  The right most has also tilted the pelvis, while the other two are more or less parellel to the ground.  It's hard to tell whether all three of these are really doing the same basic move.  These could even be three different types of dance, each one focusing differently on the body.  In classical Bharata Natyam, you are either doing for a very centered and grounded position, or you have very deliberately found balance in sliding the torso off the line of the hips.

In all three, though, there is a definite repetition to have the knees out to the side, and very much bent.  All the dancers have their hair up off their necks and garments that do not interfere with bent knee dancing.  In fact, all three have clothing that draws attention to the arms, torsos and knees. 

This one is the image of a tribal woman with a bow or a staff.  Or at least that's my bet.  She looks very dancerly, but I suspect she's a huntress.

It's hard to tell what's going on with her hair - the circle to the right of her head could be a bun - sometimes buns are located here.  But there's also a crown or something like it coming up from her forehead.

Another thing I love about this column is the decoration above the figure's head.  It's just a geometrical decoration, several other columns have these.  I haven't seen many examples of this sort of shape before, so I'm very intrigued.

Along with interesting images of dancers and hunters, there's always quite a few religious images - these two are a man worshipping a lingam (left) and an image of some form of Vishnu.

See all Virupaksha column pictures.